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To Do: December 11–18, 2013

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Books
13. Attend the Reading of A Christmas Carol
Marley and you.
It’s shorter than the (mostly) annual Moby-Dick marathon and significantly more kid-friendly. This Saturday, Housing Works will host a read-aloud of A Christmas Carol, beginning at one and continuing until God Bless Us, Every One! (though you can drop by at any time). Bonus: The store is a great place to round out your holiday shopping. —Kathryn Schulz
Housing Works Bookstore Café, December 14, 1 p.m.

Web TV
14. See Whatever this is.
Downward mobility.
This witty web series about twentysomethings scraping by in their quasi-chosen professions—a little like a small-scale Girls, with slightly less bad sex—has wrapped its first season and is celebrating with a public screening of the finale, complete with drink specials and live music.
Streaming at whateverthisis.com; finale party at the Knitting Factory, December 16, 7:30 p.m.

Dance
15. See MOMIX
Shape-shifters.
Wade through the snowstorm of Nutcrackers to see Moses Pendleton’s acrobatic dancers, who—with ingenious lighting and Pendleton’s illusionist vision—transform into pulsating flowers and glowing, floating alien forms from favorites like Lunar Sea and Botanica in “MOMIX reMIX.” —Rebecca Milzoff
Joyce Theater, December 17 through January 5.

Pop Music
16. Hear MGMT, Dinosaur Jr, and Kuroma
Two plus one.
The neo-prog-rockers MGMT and Kuroma—who share guitarist Hank Sullivant and two other band members—make an odd pairing with J. Mascis’s grunge outfit, but why not?
Barclays Center, December 13, 8 p.m.

Movies
17. See The Thin Blue Line
Redefining documentary.
Twenty-five years ago, Errol Morris changed the face—literally: the façade—of his genre with The Thin Blue Line, in which the former private investigator solved a murder and got a man out of a life sentence. (The man later sued him, but that’s another—very sad—story.) Not everyone loves Morris’s heavy use of irony, stylization, and tendency to give his subjects enough rope to hang themselves. But it’s a thrilling piece of work—and you can see it again on the big screen in the IFC Center’s anniversary one-week run. —D.E.
IFC Center, opens December 13.

Opera
18. Bring the Kids to The Magic Flute
Now that Spidey’s leaving town.
Mozart’s opera returns in the company’s compressed English-language holiday edition, directed by Julie Taymor in her signature over-the-top style. —J.D.
Metropolitan Opera, opening December 16.

TV
19. Watch Mob City
Or else.
Frank Darabont, cinema’s premier adapter of Stephen King (The Shawshank Redemption, The Green Mile, The Mist), left The Walking Dead owing to that vague old bugaboo “creative differences,” but he’s recovered nicely with Mob City, a sumptuously photographed and designed crime thriller that has the hats-and-tommyguns meanness of Boardwalk Empire and some of the glacial cool of L.A. Confidential. —M.Z.S.
TNT, Wednesdays at 9 p.m.

Movies
20. See Tim’s Vermeer
Artist, magician.
As a bunch of smaller films open briefly before the end of the year to qualify for an Oscar (or an award from the mighty New York and Los Angeles Film Critics Circle), New Yorkers and Los Angelenos get to see them for a week. Hiyao Miyazaki’s The Wind Rises (allegedly his final film) had its short run already, but this week you can catch the 80-minute documentary Tim’s Vermeer, by Teller (of “Penn & …”), which chronicles one guy’s obsession with the seventeenth-­century Dutch master’s uncanny technique. —D.E.
Lincoln Plaza Cinemas, through December 13.

Movies
21. See Inside Llewyn Davis
Freewheelin’.
Joel and Ethan Coen’s film is a hell of a mix of tones, but that’s the challenge: How do we reconcile their cheerfully disparate impulses? The pre–Bob Dylan Greenwich Village, scarred by McCarthyism but more and more alive to the stirrings of protest, is lovingly evoked, transcendently soundtracked—but it’s also the stage for a definitively downbeat story of an asshole folksinger who pays the piper for his bad personality. The film might be the ultimate proof that the Coens can find hopelessness in the darnedest places. —D.E.
In theaters now.

TV
22. Watch How Sherlock Changed the World
Not so elementary.
This special starts with the assumption that fiction can shape life, a truism that’ll be co-signed by any attorney who’s had to explain to a jury that the state can’t do CSI work to figure out who’s been stealing the flowers off someone’s front porch. Sherlock Holmes, it seems, is ultimately responsible for the CSI effect, as well as the modern conception of the detective as a combination journalist, psychologist, and ­scientist. —M.Z.S.
PBS, December 17, 9 p.m.

Books
23. Read The Best of McSweeney’s
Eggers & Co. reach a magazine milestone.
In honor of its fifteenth (!) anniversary, McSweeney’s has published a best-of collection, edited by Dave Eggers and including contributions from the likes of Zadie Smith, George Saunders, Wells Tower, and A. M. Homes. Several contributors will be on hand at the Y to celebrate. —K.S.
Available at mcsweeneys.net; event at 92nd Street Y, December 12, 8:15 p.m.

Pop Music
24. Hear Trombone Shorty and Orleans Avenue
Bontemps.
No one knows how to party quite like musicians from New Orleans. Trombone Shorty (who also plays trumpet) takes in a century-plus worth of sounds—ragtime and jazz and gospel and soul and R&B and hip-hop—and attacks everything he plays with festive fervor. But he’s subtle, too; listen to his ballads and you’ll hear the thinker that inhabits the funker. —J.R.
Terminal 5, December 14, 8 p.m. (doors at 7 p.m.)

Art
25. See Lucy Dodd: Cake 4 Catfish
Look, don’t lick.
Think of the paintings of Lucy Dodd as very low-relief earthworks along the lines of Robert Smithson’s or Michael Heizer’s. She widens the senses, uncrumples something fundamental. Although just looking at (or smelling) her large begrimed art is exhilarating, I wanted to run my tongue on a couple of the paintings that the gallery checklist says contain leaf extract, wild walnut, yew berries, liquid smoke, and flower essence. Her secret artistic caramelizations and painterly photosynthesis convert liquids and semi-solids into bliss. —J.S.
David Lewis Gallery, through January 12.


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