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To Do: April 17-24, 2013


12. See Magnificent Obsession: Douglas Sirk & Rock Hudson
Weepies galore.
Camp out at BAM for this three-day mini-fest and bathe in the light of Douglas Sirk–Rock Hudson collaborations on a big wide screen—and be agog at how much subversive subtext can be housed in such seemingly square (albeit expressionistically colorful) melodramas: Tarnished Angels (1957), All That Heaven Allows (1955), Written on the Wind (1956), and, of course, Magnificent Obsession (1954). —D.E.
Brooklyn Academy of Music, April 19 through 21.

13. See Trashed
After the Douglas Sirk romances, come back down to Earth, hard.
And hoo boy—BAM celebrates Earth Day with a screening of Candida Brady’s help-we’re-drowning-in-our-own-excretions doc Trashed, narrated by Jeremy Irons. He’ll supposedly be there, too, dodging questions about that other threat to the global economy, gay marriage. —D.E.
Brooklyn Academy of Music, April 21, 7 p.m.

14.–16. Don’t Forget These Off Broadway Shows
Come Tony season, when big musicals get all the coverage, the Lesser White Way can be overlooked.
While Broadway endures its annual beat-the-Tonys gold rush, don’t forget some gems Off Broadway. Old Hats at the Signature has a few more weeks left in its run, the RSC’s set-in-Africa Julius Caesar is settling in at BAM, and Tanya Barfield’s The Call, about a white couple adopting a baby from Africa, will get started this week at Playwrights Horizons. —Jesse Green
Old Hats: Signature Theatre Company, through June 9. Julius Caesar: Brooklyn Academy of Music, through April 28. The Call: Playwrights Horizons, through May 19.

Theater Music
17. Listen to Rodgers & Hammerstein at the Movies
The sound of their music.
If you played your vinyl cast albums until every note was etched into your brain, now you can hear these definitive songs completely new, in their glam film orchestrations, on this CD from British theater-music historian John Wilson and his Golden Age–size orchestra. —J.G.
EMI Classics.

18. Listen to Above
A one-album band’s boxed set arrives.
Get your nineties on: Mad Season was a one-shot mid-decade collaboration between Layne Staley (Alice in Chains), Mike McCready (Pearl Jam), Barrett Martin (Screaming Trees), and John Baker Saunders (the Walkabouts). The seventies-style supergroup lasted for exactly one recording before escalating stardom and drug problems pulled it apart. (Staley and Saunders died a few years later.) Above, first released in ’95, returns fortified with bonus tracks and a live performance on DVD.
Legacy Recordings.

19. Read The Way of the Knife
How we turned war over to the robots.
Times reporter Mark Mazzetti’s deep dive into the CIA’s drone policies shows us the ways in which both the military and our spy agencies have changed for the new century—and how much easier it can be to attack a country when the soldiers are at consoles in Virginia.
Penguin Press.

20. Read What Maisie Knew
In advance of the movie.
I suppose I should encourage you to (re)read The Great Gatsby before the film comes out. But the heck with that. Instead, go for What Maisie Knew, Henry James’s ugly, prescient, excellent little novel about divorce, as seen through the eyes of a bright little girl. Like Gatsby, it’s being made into a movie (with Julianne Moore and Alexander Skarsgard); also like Gatsby, it’s about love, sex, happiness, and money—or, more precisely, about how despicably adults sometimes behave in their name. —Kathryn Schulz
Free for download at or from Google Books; Wordsworth Classics paperback, $4.49.

21. Read Let’s Explore Diabetes With Owls
David Sedaris still talks pretty.
Alternatively, you could go read this, the new book by David Sedaris, who bears zero literary resemblance to Henry James. Or to anyone else, except possibly the neurotic, gay love child of Oscar Wilde and Bruce Chatwin. That composite creature might—might—yield something faintly like Sedaris’s new essay collection.—K.S.
Little, Brown & Co.; April 23.

22. See Spectacle: The Music Video at the Museum of the Moving Image
Exactly how did video kill the radio star?
According to the MMI, this is the first museum show devoted to the history of the music video—amazing, given that we’re three decades and a lot of cultural lineage from “Beat It.”
Through June 16.

23. Read The Village: 400 Years of Beats and Bohemians, Radicals and Rogues
John Strausbaugh on Bleecker Street.
You can’t get Greenwich Village into one book. But Strausbaugh, a Times contributor and New York Press editor (in its great years), has done his historical legwork, and just barely corralled it all into 600 cleanly written pages. The mid-twentieth-century chapters, when nightlife and jazz reign, are the best and richest part.

24. See Portrait of Jason
Just listen to that guy talk.
For all sorts of reasons, you should submit to NYC vérité pioneer Shirley Clarke’s 1967 Portrait of Jason, a transfixing, exasperating, amusing, and devastating interview with a black gay hustler, from a time when such a persona had never been onscreen. Dennis Doros and Amy Heller of Milestone Films raised money for the restoration via Kickstarter, and it’s easy to understand their dedication. Clarke let her camera run long enough for us to see through Jason’s queeny burlesque to the battered man beneath, in search of the larger tragedy. —D.E.
At the IFC Center starting April 19.

25. Listen to Joshua Ferris and Rachel Kushner
In a bookstore chat.
The ever-wonderful McNally Jackson is hosting a conversation between Ferris (author of Then We Came to the End and The Unnamed) and Kushner, whose new novel, The Flame Throwers, is justly causing the likes of James Wood and me to freak out. Free and open to the public—though if it were up to me, I’d give first priority to audience members in leather. (Read the book.) —K.S.
April 24, 7 p.m.

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