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MARK BRADFORD, mixed media
Angeleno artists are popping
up all over Chelsea, and they’re certainly well represented
in this Biennial. Mark Bradford makes collaged Mondrian-esque grids from strips of posters he picks up on the streets of
South L.A.—paying homage to the sprawl of his city and the cacophony of ours. “I’m drawn to collage because it’s the immediate juxtaposition of activity. In the city, I have that same feeling—Nigerian business next to Korean business next
to Jewish business,” says
the 44-year-old CalArts graduate, who’s been in several shows at the Studio Museum in Harlem and had solos
at Sikkema Jenkins. Studio Museum curator Christine
Y. Kim praises his “unapologetic hybridization of work,
play, and art. He’s discussed having been a hairdresser
in South Central, using the same backdrops and aesthetic languages as that subculture—yet it complements his painting.”


Benedict Cumberbatch, Out of Darkness

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Adam Platt on Lafayette
The New Israeli Cuisine
Welcome to the Real Space Age
The Stop-and-Frisk Trials of Pedro Serrano
Matt Harvey, Pitch by Phenomenal Pitch
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