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Ledger (top) as the Joker; Downey Jr. as Kirk Lazarus
(Photo: Courtesy of Warner Bros. (top); Merie Weismiller W/Dream Works) |
The Case for Over-the-Top
It’s a phrase that gets applied to performances too easily—as if a large-scale, extravagant star turn from an actor is simply a matter of letting every bigger-is-better impulse pour onto the screen unchecked by fear, timidity, or taste. So let us now praise Robert Downey Jr. in Tropic Thunder and Heath Ledger in The Dark Knight by saying that we were thrilled to witness perfectly controlled pieces of work by actors who knew exactly how to calibrate what they were doing. Lesser talents would have let the blackface and the whiteface do their job for them, but for these two, good makeup was just a tool of the trade, a starting point for their intelligence and imagination. While we’re delighted to applaud the prodigally talented Downey in his comeback year, we wish we could end 2008 by heralding Ledger’s breakthrough to the first rank of young actors instead of by memorializing him. As The Dark Knight searingly demonstrated, he always seemed to know how much was too much. How sad and paradoxical that he left us wanting more.
• The Year in Superlatives
• Unfogettable Performances
• The Top Ten Films
• The Top Ten DVDs




Benedict Cumberbatch, Out of Darkness

Inspecting Donald Judd's Loft Building
The Judy Blume File
Exit Poll: Lauryn Hill
Fashionables: Little White Dresses
Summer Rental Fantasies
Adam Platt on Lafayette
The New Israeli Cuisine
Welcome to the Real Space Age
The Stop-and-Frisk Trials of Pedro Serrano
Matt Harvey, Pitch by Phenomenal Pitch
Joe Hynes Gets His Television Show


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