Michael Fuchs, 33, actor
I’d heard it was gory, but other than the cat’s brains pouring out, there really wasn’t that much.
I liked The Pillowman better.
Dee Finley, 40, writer
That black humor—having grown up
in an Irish family, it’s fun to laugh at my own culture. And at the whole misguided male-ding-dong aspect, this ego thing.
Julie Moses, “senior—almost,” artist
The last scene! I’ve never seen a scene like that! I never imagined they could do something like that onstage. It’s interesting, that’s all I’ll say.
Countess Zapak, “twentysomething,” singer
It’s fantastic.
I wouldn’t know
if the humor translates here—I’m not American.
Johnny Meltzer, 22, NYU dramatic-writing student
I like it. Some of the actors are doing a better job with the accent than others—it adds a lyric quality, and some are not fully coming across.
Pablo Tifino, 27, actor
McDonagh’s written
a whole play around the death of a
cat—really clever.
I really enjoyed the torture scene. It was great, you know?

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The Transformation of TV Into an Art Form
The Draw of Dream Worlds in Film
Gosselin, Prince of the Professional Nobodies
A Decade of Defining Moments in Pop-Culture
The Invention of New York's Local Cuisine 
Thirty-Five Short-Lived Looks of the Decade
Two Views of a Swath of the Upper West Side
An Older Generation Moves Into Williamsburg
Ten Years That Changed Everything
A Generation of Overparenting
The Sports Rivalry of the Decade
What Is the Point of the United States Senate? 