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Does Lestat belong on the Curve? Low expectations from disastrous early buzz might position it as a perfect not-as-bad-as-you’ve-heard candidate—except that a positive backlash would require somebody to genuinely like it. More Curve-worthy is The Lieutenant of Inishmore, which has gotten such good notices that now it can’t be anything but slightly disappointing. Elsewhere, an evil Philip Seymour Hoffman raises hopes for M:I-3, Julia Louis-Dreyfus lands a hit (though if you haven’t seen it yet, don’t get your hopes up), and the so-bad-it’s-good So NoTORIous on VH1 turns out to be so-bad-it’s-bad.
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The Transformation of TV Into an Art Form
The Draw of Dream Worlds in Film
Gosselin, Prince of the Professional Nobodies
A Decade of Defining Moments in Pop-Culture
The Invention of New York's Local Cuisine 
Thirty-Five Short-Lived Looks of the Decade
Two Views of a Swath of the Upper West Side
An Older Generation Moves Into Williamsburg
Ten Years That Changed Everything
A Generation of Overparenting
The Sports Rivalry of the Decade
What Is the Point of the United States Senate? 
