Of course, the lone, rule-breaking rogue is an action-genre stalwart, but these aren’t standard-issue rogues. On The A-Team, Hannibal and his band were being chased by the Army, and Hawkeye brewed hooch in his still. On these new shows, though, the essential clash isn’t between war and peace, or conformity and rebellion, but between waffling and results. And the real bad guys aren’t the terrorists—who appear like paper targets and get aerated with a few controlled bursts—but the apparatchiks, the hemmers and hawers, the gosh-darn poll takers. (This might explain why NBC’s E-Ring hasn’t caught fire: It’s about determined, upstanding bureaucrats, not currently a popular, or plausible, hybrid.) The latest wrinkle on 24 is that CTU is—gasp!—being absorbed into the Department of Homeland Security. Imagine the paperwork.
The war in Iraq has murky origins, vague goals, and no apparent end. So why not sink back and enjoy an hour of clear objectives and crisp execution? On TV, it’s all action, all kill-shots, all results. Pop, pop, pop—problem solved.


Ben Stiller on the Walter Mitty Set

Aubrey Plaza’s Perfect Game
Justin Davidson on the City Opera's Orpheus
Broadway Songwriting in Critical Condition
Look Book: Dr. Lila Wolfe, Chiropractor
Manhattan-Style Tapas Come to Cobble Hill
Fashionables: Beach Sweaters
Where to Drink 2012
The Interminable Horror of the New Old Age
What George Romney's Doomed Run Taught Mitt
Frank Rich on the Post-Racial Farce
Will This Be the Worst Mosquito Summer Ever?


Join the Discussion
Read All Comments | Add Yours
Recent Comments On This Article