Unless you count an emphasis on syphilis, inadmissible among proper Victorians, as the secret subtext to most of the bloodsucking in Bram Stoker’s fantasy world, Masterpiece Theatre plays things straight. Which is also to say, not even campy—except that it’s so very Masterpiece Theatre it doesn’t have to be campy. Marc Warren portrays the undead count as part punk rocker, part Percy Shelley. Sophia Myles is luckless Lucy, who never got to consummate her marriage. Stephanie Leonidas, as Lucy’s bosom buddy Mina, has a way with a wooden stake, plus a practically Continental pout. David Suchet enjoys himself perhaps too much as the vampire scholar Dr. Abraham Van Helsing, not so much bearded as he is mossy. While I can’t imagine why we’d want another Dracula, this one’s sturdy enough. Next time, though, how about a subtext that speaks to the feeding frenzies of HMOs, Microsoft Windows, and Donald Trump?

Email
Print
The Transformation of TV Into an Art Form
The Draw of Dream Worlds in Film
Gosselin, Prince of the Professional Nobodies
A Decade of Defining Moments in Pop-Culture
The Invention of New York's Local Cuisine 
Thirty-Five Short-Lived Looks of the Decade
Two Views of a Swath of the Upper West Side
An Older Generation Moves Into Williamsburg
Ten Years That Changed Everything
A Generation of Overparenting
The Sports Rivalry of the Decade
What Is the Point of the United States Senate? 