Sybil asks us immediately to accept shattered crystal and Russian matryoshka dolls as twin images of a fine mind broken into jagged fragments and secret selves nesting inside one another. Sybil (Tammy Blanchard), in order to survive her punishing, demented mother (JoBeth Williams), has fractured herself into more than a dozen alternative personalities, defensive strategies, and attack modes, and has lost control. Dr. Wilbur (Jessica Lange) is the psychiatrist who regresses with her past “dissociative identity disorder” back to the original wound. We are justifiably more suspicious now of “recovered memory” than we were in 1976, when Sally Field starred as Sybil and Joanne Woodward as her shrink in the original Emmy-winning TV movie. Blanchard and Lange have a more problematic aura, while acting up an equally impressive storm.

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The Transformation of TV Into an Art Form
The Draw of Dream Worlds in Film
Gosselin, Prince of the Professional Nobodies
A Decade of Defining Moments in Pop-Culture
The Invention of New York's Local Cuisine 
Thirty-Five Short-Lived Looks of the Decade
Two Views of a Swath of the Upper West Side
An Older Generation Moves Into Williamsburg
Ten Years That Changed Everything
A Generation of Overparenting
The Sports Rivalry of the Decade
What Is the Point of the United States Senate? 