The Missing Person’s Michael Shannon on Noir, 9/11, and Working With Herzog
“[Herzog] always seemed to be pretty pleased with what I was doing, so I didn’t endure any abuse or rants or anything.”
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“[Herzog] always seemed to be pretty pleased with what I was doing, so I didn’t endure any abuse or rants or anything.”
The director speaks about his new film, and why it’s easier to make a movie in China than in Hollywood.
"Oren created this incredible environment on set. No scenes were rehearsed in the picture."
The conclusion I've since come to is that no one really knows anything.
"If I can be vain about it, it's a real treat to play a lovely, enticing, sexual woman."
The region has been experiencing a filmmaking renaissance in recent years.
The film juxtaposes (beautiful) footage of construction cranes with (enigmatic) audio of women talking about their shoes.
Workman's short following the travails of a talented actress and her difficulties landing a decent movie role.
"Even 'Casablanca' eventually becomes disappointing because it never changes."
"What this person is saying makes perfect sense to me. But I don't think showing contempt in a film is a bad thing."
"There's another [Ari Gold] out in Eugene, Oregon, who runs an organic bakery ... He's the Ari Gold most unlike the one on TV."
"The trash bins began to resemble human forms to me ... They looked very humpable."
"I made a deal with [the director] that if I wasn't able to get the permit, I wasn't going to make the movie."
"'NYC Prep' seems to be more interested in glorifying and sensationalizing that lifestyle more than actually presenting us with anything resembling reality."
A structurally playful and surreal look at what can only be described as a family road trip from hell.
It's a perfect introduction to Martel's style, in the way it mixes kitchen-sink realism with a sense of mythic wonder.
It's a beautiful little experimental collage about a single woman’s morning workout, with music by Yo La Tengo.
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