Cathy Horyn joins The Cut after 15 years as fashion critic at The New York Times, where she started one of the first style blogs, On the Runway. Prior to The Times, she was a contributing writer at Vanity Fair; from 1990 to 1995, she covered fashion for The Washington Post. She has written two books, Bare Blass, a memoir with Bill Blass, and Joe Eula: Master of Twentienth-Century Fashion Illustration, published in 2014. She is currently working on a history of The Times fashion coverage, from the 1850s to the present, which will be published by Rizzoli. In 2013, she initiated a series of fashion talks at Stanford University. Born in Coshocton, Ohio, she is a graduate of Barnard College and Northwestern’s Medill School of Journalism.
Most Recent Articles
The Moon Over Marine Serre
Before Marine Serre even had a business, she had created a brand.
Phoebe Philo and the Death of Leisure Time
Philo is a designer for a slower era.
Remembering Azzedine Alaïa, a Generous Spirit Who Loved Designing for Women’s Bodies
He didn’t make mistakes — he made classics.
Taking Dictation From Diana Trilling
“I saved no letters, of course, but they were always remarkably like Diana: unsparing, precisely worded, surprisingly affectionate.”
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How to Dress in 2018
Nicolas Ghesquière’s blend of modern and classical at Louis Vuitton was the defining moment of the season. Plus: Chanel, Miu Miu, and Thom Browne.
Fashion’s Human Touch
Warm collections by McQueen and McCartney, along with some stellar exhibits, remind us that it’s not just technology that draws people to fashion.
Excavating Givenchy’s Essence
Clare Waight Keller returns the brand to tailoring, promisingly. Plus: Gvasalia goes his own way at Balenciaga, and Philo gets personal at Céline.
Two Punks Soften the Spikes
Junya Watanabe explores wearable femininity; Rei Kawakubo pulls back from the avant-garde. Plus: Altuzzara in Paris still feels like New York.
Art and Fashion Do Mix
Undercover incorporates Cindy Sherman’s aesthetic with more depth than fashion usually manages. Plus: Loewe’s grounded luxury.
The Memory of Fashion
Rick Owens evokes it brilliantly, while Balmain’s Olivier Rousteing stays on the surface. Plus: Loving Chloé’s new direction.
Fashion’s Millennial Problem
Dior wants to reach them, but doesn’t know how. Plus: Lanvin’s decline, and deft touches at Margiela and Dries.
Marc Jacobs’s New Trend Is Elegiac
Denying retirement rumors, New York Fashion Week’s guiding light produced a moving homage to fashion relics.
Ralph Lauren’s Bondian Reboot Revives His Franchise
Amid sports cars and sexy female villains, the designer’s best collection in some time.
Reinventing de la Renta; Leering at Helmut Lang
Young designers find fresh takes on storied brands. Plus: lush minimalism at The Row.
Rihanna’s Biker Boys Stunt on Fashion Week
The surfer/raver clothes at the singer’s Fenty x Puma show were pretty terrific, too. Plus: Victoria Beckham, Public School, and more.
Guerrillas in Our Midst
Two designers known for their edge, Alexander Wang and Eckhaus Latta, showed in Brooklyn on Saturday.
What Pierre Bergé Taught Me About Fashion
Yves Saint Laurent’s business and romantic partner, who has died at 86, was bold, fearless, and courteous.
The Difference Between Boyfriend Jeans and Glamorous Jeans
Monse and Brandon Maxwell show how crucial it is. Plus: Jeremy Scott’s 20th anniversary.
Calvin Klein’s American Horror Story
Raf Simons continues to push fashion into a realm of social commentary it rarely touches.
Tom Ford Looks Back
Recalling his greatest hits, the designer misses the current moment; Narciso Rodriguez captures it.