Seitz Asks: What’s Your Favorite Olympic TV Moment?
Jonathan Banks's icy fixer dominates a perfect episode.
Bitching about the Emmy nominations is a beloved tradition, but it's hard to get too worked up because TV is so creatively healthy right now.
Gonna go with something from Deadwood this week.
One word: magnets.
"A domestically oriented, C+ version of The West Wing."
Our TV critic remembers a particular one involving a murderer dressed in a nun's habit.
Set in and around New York-Presbyterian Hospital, this eight-part nonfiction series follows a bunch of doctors and nurses as they do their jobs. Simple.
"This is not a war on drugs. This is a war for money."
This documentary asks, "What do we lose when we lose the dark?"
For a beloved artistic polymath, Griffith never took himself too seriously.
Our TV critic looks at the second seasons of Wilfred and Falling Skies.
FX's decision to place the two shows on the same night is like hanging a Degas next to a Dumpster.
The show has been on our TV critic's mind recently for a couple of reasons, one of which being that it ended its run five years ago this month.
Sorkin's a common-man idealist who wouldn't know "cool" if it ran him over with a truck.
This was a tough one, but it's gotta be My So-Called Life.
Now that we're past all the questions about nepotism, privilege, and race, it's plain to see that the series is a remarkable one.
A special Father's Day edition of our TV critic's weekly column.
Larry Hagman is as ferocious as ever. Unfortunately, the rest of the show is a snooze.
This article and the accompanying video contain spoilers for all of Mad Men's fifth season. Read or click at your own risk.