Aimee Mann Mines Familiar Territory for Bright New Gems
If Aimee Mann’s profile never again approaches the (relative) highs of her post-Magnolia soundtrack fame, that will be fine with us. Because as her seventh studio album attests, Mann is not a star per se but a master craftswoman of pop melancholia. Smilers has its unexpectedly jaunty moments, like the warm keys driving album opener “Freeway.” But Mann’s voice—ghostly, detached, razor-sharp—is the disc's emotional ballast. And ultimately, its spiritual center as well.

The Kubrick Masterpiece He Never Made
Bob Dylan, the New Bing Crosby
Edelstein on Brothers and
Up in the Air
Fela! Gets Broadway Audiences to Shake It