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Grub Street

Edited by Josh Ozersky with Daniel Maurer

All Posts Tagged: ‘fiama’

Engines of Gastronomy 

5/ 9/08

6:00 PM

Fabio Trabocchi Plays a Mean Chitarra

fiamma chitarra

You can hear him in the back room strumming... Photo: Jed Egan

One of the most fundamental tools of Italian cooking is the chitarra, or “guitar,” a long board strung with sharp wires used to create handmade pastas. Fabio Trabocchi, of Fiamma, has had his since he started culinary school; he bought it in Teramo, in Abruzzi, and has used it for his entire career. “It’s really like a guitar,” he says. “You have to keep the strings stretched, with the tension just right. But if you use it right, you get pasta that has a certain porosity that you could never get from a pasta machine. That makes it absorb the sauce better and gives it a rustic kind of flavor.” Trabocchi uses the chitarra most frequently on Fiamma’s carbonara, but he’s used it for hundreds of pastas over his career. “It’s from my home region,” he tells us. “I’ll always use it.”

The Other Critics 

10/31/07

11:30 AM

A Star Swap for Alto & L’Impero; No Amore for Richman at Fiamma

The Times’ verdict is in on Alto and L’Impero, and it’s the expected three and two stars, respectively. Lost in the Alto upgrade is the hard fact that L’Impero now enters the dreaded two-star limbo into which Frank Bruni puts any place neither transcendent nor mediocre. Personally, we would have had it at four and three. [NYT]

Alan Richman admires the new Fiamma (former home to Mike White) in a cool and distant way, finding the food busy and not at all Italian, although not exactly lousy by any means. No one will read this review and want to spend money to eat at Fiamma. [Bloomberg]

On the other hand, Restaurant Girl’s three-star review reads like a perfume ad, it’s so loving: “Like an artist, he paints deeply flavored ragu onto a pappardelle canvas, finished with tender ribbons of venison.” Ew! But Steve Hanson must be happy. [NYDN]

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