In case you were wondering if Persimmon really is comparable to Momofuku Ko, here is Frank Bruni's answer: No. But it is cheap, and some dishes “riveted” him. [NYT]
Related: Kimchic [NYM]

Danyelle Freeman goes for Matsugen in a big way, granting the soba temple five stars (out of six) and calling it “an expensive restaurant that serves exquisite food for peasants.” [NYDN]

Matsugen gets five stars from Jay Cheshes, too, who goes a little further in trying to convey why cold buckwheat noodles are worth five stars: When mixed with condiments, “it all melts into a sweet, salty, silky symphony.” [TONY]

Scarpetta's Scott Conant is just where he ought to be, Frank Bruni writes: right in his wheelhouse, making three-star Italian food, all of which the critic loves. But the signature spaghetti with tomato sauce gets the words Conant has been longing to hear: “I had this dish twice, and twice it stacked up against any spaghetti al pomodoro I’ve had in Italy.” [NYT]

Restaurant Girl hits Forge and swoons over some dishes while dissing others, in a two-stars-out-of-five review that suggests that the place is still working out its kinks but is on the way: “Most dishes seem to be missing one pivotal player. It's a slightly tragic but recurring theme that unfolds over a succession of dinners.” [NYDN]

Alan Richman likes the place considerably more and sees the influence of chef Marc Forgione's famous father, Larry, a pioneer of contemporary cooking: “Here’s the news I’m sending Dad’s way: I think the kid might turn out to be a better chef than the old man.” [Forked/GQ]

Szechuan Gourmet is hot, hot, hot, says Frank Bruni, and he likes it that way — so much so that he gave the place two stars. “It’s fickle, tricky, fierce. It can light a match to your tongue, numb your lips, snap you to attention and do a job on your stomach that lasts a good long while.” [NYT]

Paul Adams gives one of his most enthusiastic reviews in a long time to Haute Barnyard newcomer Hundred Acres. Listen to this! “Hundred Acres is impressive, the kind of place where ‘seasonal’ isn't just a buzzword, but where you actually look forward to returning season after season to see what new ideas are blossoming.” [NYS]

Jay Cheshes, on the other hand, wasn't as impressed by the place. He's skeptical of the whole approach, and the food he found “pretty as a picture and mostly boring as heck.” [TONY]

Bad pasta, deafening noise … it's a two-star review for Bar Milano from Frank Bruni, the latest critic to forgive the place for what would ordinarily be fatal flaws in an Italian restaurant. Oh, and the desserts were weak too. But between the room, the entrées, and the drink program, the place somehow scratched out a second star. [NYT]

Lauren Collins is the latest (but probably not the last) critic to put the hurt on Ago, and hits all the points which we've become accustomed to hearing about – the bad food, the snotty service, the preposterous vibe. Can Ago really be that much worse than Bar Milano? Apparently so. [NYer]

Meanwhile, over at the Post, Steve Cuozzo hits Brasserie 44 at the Royalton hard, not for the food (which he really liked) but for the “losers lounge” that is the hotel lobby. Cuozzo seems to take the design deficiencies in the place almost personally: You would think that they had built over his childhood home. [NYP]

In giving both Gottino and Terroir single-star reviews, Frank Bruni probably just set the fuse to a gourmet-wine-bar explosion — which, based on this review, is a good thing indeed. We only wish it had occurred to us to call Paul Grieco “evangelistic” in his wine madness. [NYT]

Danyelle Freeman finds it hard to believe that Scarpetta used to be the Village Idiot, and also difficult to express how much she loved the food there. A whopping four-star review for Scarpetta. [NYDN]

And how about this? Robert Sietsema, who joys in decrying the failings of trendy restaurants, writes an unabashed love letter to Scarpetta as well, without ever even mentioning the spaghetti with tomato sauce, the place's crowning achievement. [VV]

Despite mostly hating the barbecue parts of the Bar Q menu, Frank Bruni found enough to like at Anita Lo's new restaurant to justify giving it two stars, thanks to dishes “eclipsing my frustrations and lifting Bar Q well above its unevenness.” [NYT]

Ryan Sutton lays a merciless beat-down on Scarpetta, even going as far as to call chef Scott Conant's famous spaghetti overcooked! In fact, Sutton did like a few things — a fish here, a pea soup there — but he's not buying into Scarpetta, and puts down his flag with the first vehemently negative review. [Bloomberg]

Steve Cuozzo drops the hammer on Benoit, and from what we're hearing, he won't be the last. “Boring,” “irredeemably dull,” “unseasoned enough for convalescents…” Welcome back to the critical shit list, Mr. Alain Ducasse! Your brief honeymoon with Adour is now officially over. [NYP]

Note to restaurateurs: It's generally a good policy, when Frank Bruni comes into your place, not to pour wine all over the table, make him wait an hour, stick his friend behind a column, and send him waiters who don't know what's on the menu. Because that's how Ago earned a zero-star review from him. [NYT]

Alan Richman is the first major critic to file on Scarpetta and has only the most glowing things to say about Scott Conant's “refined, clean-cut, extraordinarily poised, modern Italian-American cuisine.” A big win for Scarpetta, even though Richman does call out the restaurant for being noisy. [GQ]

Restaurant Girl hits Benoit and, after paying the requisite tribute to its provenance, gets around to saying that the food there is completely unexceptional in every way. Its two stars seem like a gift. [NYDN]

The room looks great and (some) of chef Akthar Nawab's food was great, says Frank Bruni in his one-star review of Elettaria. But both falter for Bruni, who has problems with the way the space flows, and who finds the dishes ranging wildly from brilliant to total letdowns. [NYT]
Related: Restaurant Tour: Elettaria

Restaurant Girl lays three stars on Bar Milano, despite the fact that the pastas are mostly lousy, and the noise is “unbearable.” Except for that, it's great! [NYDN]

Randall Lane didn't even order any pasta but still thought the place worthy of only three stars out of six, with pushy servers and underwhelming meat dishes. [TONY]

It's hard to convey non-disappointment as the tonic note of a restaurant review, but Frank Bruni pulls it off in a strong, two-star endorsement of the Harrison. The only fault is Jimmy Bradley's retro soundtrack which is “neither classic, nor cool. Just odd.” But we liked that! [NYT]

Peter Meehan makes his way over to Artichoke Pizza, but you can tell he's not really impressed by the slice, which he describes as having “a bready, almost tough, crust, generously and greasily topped.” He likes the guys and all their unreliable shtick but won't say it's great pizza. [NYT]

Pomme de Terre, the tiny bistro on Newkirk Avenue in Ditmas Park, got its first major review and it was a bombshell: three stars from Restaurant Girl for perfectly executed French standards. [NYDN]

Randall Lane made it in to Momofuku Ko and gives the place five stars, gushing, “dish after dish dazzles with class, innovation and balance.” The behind-the-counter action, with David Chang berating a girl cook for the way she wrings a dishrag, maybe isn't “great theater” though. [TONY]

Bar Q “thrilled” Steve Cuozzo “on all visits but one,” when chef Anita Lo wasn't around, which is too bad, since his dishes on the off night mar what might have been a rave review. [NYP]

Robert Sietsema, on the other hand, hits bar Q hard: Lo's BBQ sauce “tastes like it's been dumped out of a white carton from the local Chinese carry-out,” and her “pork wings” “remain flightless because they're heavily coated with cloying Korean ketchup.” Ouch! [VV]

Momofuku Ko has hard stools, no atmosphere, no liquor, no service, and the food is not surefire on every course. But the food Frank Bruni did get, along with the $85 bill, was enough to get the place its inevitable three stars. [NYT]

“[Chef Daniel] Humm's foams, reductions and drizzles have huge payoffs.” Indeed they do! Restaurant Girl is flabbergasted by Eleven Madison Park's flashy, precise cooking and awards them her first five-star review. [NYDN]

Ryan Sutton also hits Ko and produces more or less the same review, minus the deathless Bruni prose. The verdict: “[W]hile Ko might be one of America's great restaurants, it's not quite a four-star restaurant.” [Bloomberg]

The first less-than-stellar Ko review is in and suggests that reality is creeping in. Yes, the food was terrific, but you’ve already heard all about it, and the staff isn’t particularly friendly. Plus, “[s]itting on backless, uncushioned wooden stools for more than two hours can be a challenge for the best of us.” [WSJ]

It’s one-star time for Commerce; Frank Bruni admires chef Harold Moore’s as “ambitious and unpredictable,” but not necessarily in a good way. And the place is LOUD. [NYT]
Related: Commercial Appeal

A surprise two-star review for the mostly unnoticed Korhogo 126 in Brooklyn; Restaurant Girl loves the African spices. But did she really have to say that it had “soul”? [NYDN]
Related: Embattled Bistro Now Serving ‘Nouveau African’ at Korhogo 126

Frank Bruni gives Merkato 55 a single star, thanks to “laughable” service and a menu that only registers as intermittently African. Still, it's not a takedown — the review is good-naturedly amused throughout. [NYT]

It's three big Restaurant Girl stars for Elettaria, as the diminutive critic swoons over the dishes and “dinner theater” aspects of the place. She has reservations on a few dishes and says a banquette is key, but this is pretty much a rave. [NYDN]

Paul Adams likewise admires Elettaria and sees Akthar Nawab's career coming to its fruition at last. A good week for Elettaria. [NYS]

Alain Ducasse's war to win New York seems to be working: Frank Bruni gives Adour three stars, calling it a “qualified victory. It’s not through-and-through rapturous, but it’s first-rate.” [NYT]
Related: L'Obsession [NYM]

Maze by Gordon Ramsay comes in for a thoroughgoing appreciation by Bloomberg's Richard Vines, a Brit who knows Ramsay's restaurants the way New Yorkers know Mario Batali's. [Bloomberg]

Jay Cheshes sees in Elettaria a checklist of downtown tropes — mustachioed bartenders, swank design, of-the-moment ingredients — but it's lacking somewhat in the way the food is conceived and executed, in a three- (of six) star review. [TONY]

Mas, tucked away into an odd corner of the West Village, has been off the city’s radar for a while, but has been plugging away, and now been rewarded by a very appreciative two-star rereview by Frank Bruni. [NYT]

Steve Cuozzo goes wild for Mia Dona: “The impossibly inexpensive, all-Italian sequel to prematurely shuttered Dona is also almost impossibly good — and not just in relation to the prices.” Alrighty then! [NYP]

Paul Adams, though noting some early lapses, likes Mia Dona too, but says that it falls into the uncanny valley between the refined (Anthos) and the rustic (Kefi). [NYS]

Randall Lane bestows three stars of six on Merkato 55 in a decidedly middling review. The place covers too much ground, he says, “an African greatest-hits tour that works only because there are so few top-shelf regional African restaurants here in the first place.” [TONY]

It's not that Steve Cuozzo doesn't get Merkato 55 or like Marcus Samuelsson. It's just that the food was pretty uneven when he went there and the chef was seldom around. Quoth the Cuozz: "But Samuelsson is too great a talent to let Merkato 55 slide into another Meatpacking District party venue. I hope he finds the time to make his labor of love worthy of our love, too." [NYP]

Alan Richman is back at what he does best, applying his critical pen to the efforts of high-toned tablecloth restaurants, in this case South Gate. He likes the food, but finds the place a little soulless and the staff entirely too service-y. (Though since he’s not anonymous; that’s bound to be a problem in any new restaurant he dines in.) [GQ]

“It's a new era, and Bar Boulud belongs to it.” That's why, even though the hot items are mostly “snoozers,” the restaurant deserves two stars. Another Zeitgeist review from Frank Bruni. [NYT]

Steve Cuozzo doesn't give out stars, but if he did, he wouldn't be giving three to Dovetail, whose stellar critical reception he recapitulates in a forceful, acerbic review. “The Times' Frank Bruni, who found 'drab' décor at Anthos a reason to deny that truly original, forward-Greek place three stars, overlooked Dovetail's butt-ugly brown palette to exult over the likes of — holy cow! — monkfish and lobster on the same plate.” [NYP]

Writing on his GQ blog, Alan Richman obliterates Brasserie Les Halles, but why? Who was thinking about it, anyway? And who thought it was good? The review seems conceived as a blow against Tony Bourdain, but it does him no harm. [GQ]

In a landmark for molecular gastronomy in America, the movement’s top proponent, Wylie Dufresne, gets his third star for wd-50. A historic review, especially as Frank Bruni expresses the usual reservations about overly cerebral cooking. [NYT]

Bar Boulud finally gets some respect from Alan Richman, who praises its blue-ribbon charcuterie and says of its much-maligned mains, “The worst that can be said…is that the recipes are relentlessly conventional — lamb stew, roasted chicken, boudin blanc. The best is that such a style of cooking is terribly missed.” [GQ]

Restaurant Girl seems to have been distinctly unimpressed with about half of the dishes she tried at Adour, resulting in a lukewarm, two-and-a-half-star review. Ducasse’s latest is not getting off to a great start. [NYDN]

Frank Bruni finds Bar Blanc fussy, mannered, overly fastidious — and very, very good. The two stars should take the sting out of his review for the place's owners. [NYT]
Related: Raising the Bar

Restaurant Girl hits Williamsburg’s Zenkichi and, between the room, the food, and the sake selection, seems to have a real find on her hands. [NYDN]

Randall Lane joins in the general enthusiasm for Dovetail , but now he seems unwilling to go back to his five-star-granting ways and so ends up giving them only four — the equivalent, in traditional star terms, to a two-star review, which is not what this reads as. [