Dinner at Deitch: It's All Legs and Breasts

Julie Atlas Muz, Jeffrey Deitch, and Bambi the Mermaid at the "Womanizer" opening night, January 6.Photo: Deitch.com/Kristy Leibowitz
Burlesque's renaissance in New York has been going on since the turn of the century, but only recently have some of its names made the crossover to the art world as performance artists. Powerhouse dealer Deitch — noted for staging Vanessa Beecroft's photos of naked models in the Guggenheim rotunda — is trying to give them a push into notoriety, and into the art market. His gallery show "Womanizer," dedicated to artworks by female performance artists, burlesque and otherwise, opened earlier this month. Muz, star of the Coney Island sideshow and formerly the Coral Room's topless mermaid, is its co-curator.
She launched the evening with a performance in which a demonic, disembodied hand ripped the clothes off her body and kept going. "Well, that's show biz," she told the clapping crowd. "Enjoy your meat!" Bands and more burlesque acts followed, ranging widely from gothic punk legends the Voluptuous Horror of Karen Black to ethereal Coco Rosie to Acapella Soul with "The Lion Sleeps Tonight." Midway through her act, Bambi — whose vivid photographs of a surrealistic Coney Island are "generating interest" at Deitch, says the gallery — slipped off her red panties and plopped them on her head. The event concluded with a performance sculpture by artist E.V. Day, best known for her piece of shredded bridal gowns displayed at Lever House last spring. Day offered two giant breasts alight with sparklers, sliced open to reveal a red-velvet cake. How else would you expect to get dessert? —Alexandra Peers

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