Kurt Vonnegut at the Algonquin

Photo: New York Magazine, December 18-25, 2000
One image keeps looming and looming: the grandfather clock in the lobby of the Algonquin hotel. I'm an immigrant to New York, you see. I didn't come across the ocean, but I came up from the Middle West. And The Algonquin, for a Middle Westerner of my generation — I was born in 1922 — was our imaginary literary hotel. In 1950, I was a P.R. man working for General Electric in Schenectady, delivering stories and so on to press organizations in New York. One day I just walked in, as anyone is free to do, but for me, well, I had the same feeling when I first saw Venice, which was, Am I allowed to see this? I felt at home there, and it remained a symbol of my arrival in New York and my home away from home, a beacon, a lighthouse for a Middle Westerner.
Kurt Vonnegut: A Midwesterner Finds Literary Welcome in the Lobby of the Algonquin Hotel [NYM, PDF]

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