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Daily Fashion & Runway News
Italian by heritage but born and raised in France, Emanuel Ungaro learned to sew from his father. By his mid-twenties, he was designing at the hallowed house of Balenciaga before moving on to Courrèges. In 1965, he launched his own boutique and label in Paris. Ladies flocked to him for body-skimming silhouettes, and within a few decades the line would come to encompass menswear, accessories, and several fragrances. Ungaro's frothy cocktail frocks and bold, often-mismatched florals were met with mixed reviews, as was an advertisement campaign in 1990 that had critics crying "bestiality" at images of a model being mounted by a dog. Other struggles over the four-decade history include financial takeovers, first by the Ferragamo Group in 1996 and then investment firm Global Asset Capital in 2003, as well as a revolving door of head designers after Ungaro's initial successor, Giambattista Valli. Designers Peter Dundas and Vincent Darre each lasted less than two seasons, and hopes were high for Colombian Esteban Cortazar, appointed at the tender age of 23, to reinfuse the brand with Latin sensuality to attract a whole new generation of fashionistas. But in the summer of 2009, Cortazar left Ungaro unwilling to agree to CEO Mounir Moufarrige’s idea to bring Lindsay Lohan on to the creative team. Spanish designer Estrella Archs took the reigns with Lohan acting as artistic advisor, showing a Spring 2010 collection of nipple pasties and heart motifs that was scoffed at by the press.
“I think of Mr. Ungaro as a sculptor. He loves to reshape the female form”—Giambattista Valli InStyle
“Esteban Cortazar didn't bother looking too closely at the Ungaro archives. At 23, he also brings a younger-than-ever perspective...There was an extraordinary lightness to the muted silvery-grey, jersey draping that was layered over chiffon skirts in icy, duck-egg blue shades or else teamed with a jolt of fuchsia. These were more linear shapes than Ungaro is known for but they did manage to reference its romantic and feminine heritage.”—Carolyn Asome The Times (London)
Estrella Archs