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Daily Fashion & Runway News
Feb 16, 2010
With Rachel Zoe, Anna Wintour, and Coco Rocha.
Feb 16, 2010
With Rachel Zoe, Brad Goreski, and Lorenzo Martone.
Jacobs introduced his namesake line in 1986 and quickly became the youngest designer ever to win the CFDA Perry Ellis Award for New Fashion Talent. Two decades and several CFDA awards (for womenswear, menswear, and accessories) later, Marc Jacobs is to America what Miuccia Prada is to Italy: the can’t-miss catwalk, the bellwether label, the mercurial designer who stuns/delights/scares the fashion world twice a year. Jacobs has a knack for sizing up the zeitgeist and then one-upping it. A master of the mash-up, his references are wide-ranging, always in flux, and often unlikely. He’s done multi-layered grunge and tight-as-a-drum ladylike. What’s next? It’s unpredictable—but you can safely assume it’ll make waves and move units. The mystique is buoyed by the use of unexpected models (Charlotte Rampling, Dakota Fanning, Posh Spice), and Juergen Teller’s vivid photo campaigns.
“I like romantic allusions to the past: what the babysitter wore, what the art teacher wore, what I wore during my experimental days in fashion when I was going to the Mudd Club and wanted to be a New Wave kid or a punk kid but was really a poseur. It's the awkwardness of posing and feeling like I was in, but I never was in. Awkwardness gives me great comfort.”—Marc Jacobs New York Magazine
“Jacobs's clothes do, sometimes, require explanation, as well as a healthy sense of irony. With the wrong attitude, the wrong body, and without the right wink, wearing Marc Jacobs clothes could leave a girl looking a bit like Mrs. Doubtfire.”—Amy Larocca New York Magazine
“If Ralph Lauren is a lifestyle, Marc Jacobs is an ethos. With his pitch-perfect instincts—say, using laconic, large-nosed Sofia Coppola in grainy, era-defining ads—he exerts an almost messianic pull.”—Lucy Kaylin, Executive Editor of Marie Claire GQ
“Jacobs's vision has transformed the luxury-goods market—you can feel the reverberations of his early inspiration that a sloppy flannel shirt could be rendered in fine silk, that the low could be high, and that streetwear could be fashion, in everything from the advent of the now ubiquitous two-hundred-dollar pair of jeans to the frayed hems and distressed elbows on the jackets that Karl Lagerfeld has designed for Chanel in recent seasons.”—Ariel Levy The New Yorker
“It's long been said that great designers understand what women want to wear before they've even seen it…. Jacobs has always known where the wind is blowing next, be it luxe logos, a prim fifties prettiness, or this new somber, romantic glamour. With both his own signature collection and the collection he designs for Louis Vuitton, this isn't fashion lite. These aren't clothes that make a seamless transition from runway to real life.”—Mark Holgate Vogue
Marc Jacobs