New York Magazine
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Torrisi Italian Specialties
250 Mulberry St., nr. Prince St.; 212-965-0955
The technique involves a “sea bath,” a tiny oven fan, convection vapor, advanced brining, and some other things too complicated to get into here. Suffice it to say that one bite will rewire your brain’s pleasure circuitry in such a way that the next time you encounter a turkey breast, you may start to drool. $9
Photo: Danny Kim
Stellina
95 Allen St., nr. Delancey St.; 212-274-9555
Two words: bacon jam. Which is not to say that the garlic-rubbed turkey isn’t meticulously roasted, the Sardinian cheese perfectly melted, the buttermilk bread faintly sweet, or the whole panini-pressed result even greater than the sum of its excellent parts. $12
Photo: Danny Kim
Court Street Grocers
485 Court St., nr. Nelson St., Carroll Gardens; 718-722-7229
The best triple-decker in town. The upper level is nicely roasted breast; the lower, dark meat confited in duck fat. The result is so rich and flavorful you swear you’re eating either pork or some succulent new breed of super-turkey. $12
Photo: Danny Kim
Smith Canteen
343 Smith St., at Carroll St., Carroll Gardens; no phone
This is Rob Newton’s ode to the post-Thanksgiving sandwich: buttermilk-brined bird, house-made sage mayo, Missouri bacon on a house-made “everything” croissant. Get it to go and eat it by the light of your open refrigerator. $9
Photo: Danny Kim
Mile End
97A Hoyt St., nr. Atlantic Ave., Boerum Hill; 718-852-7510
They brine it, smoke it, steam it, slice it to order, slap it on excellent housemade rye with Gulden’s Spicy Brown, and more or less trick this turkey into thinking it’s pastrami. $8.50
Photo: Danny Kim
Henry Public
329 Henry St., nr. Pacific St., Cobble Hill; 718-852-8630
These anti-white-meat pioneers in the gourmet-turkey-sandwich movement braise leg meat in milk and pile it on juice-sopping slices of toasted Pullman. Fried onions add delicious crunch. $14
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.
Photo: Danny Kim
Slide Header
Address, date, or similar info here.
For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.