1 of 5

Sam Brocato Salon

42 Wooster St., nr. Grand St.; 212-334-3777

Soho salon Sam Brocato’s in-house makeup artist Joy La Rosa is offering her services to create a variety of looks for the Halloween weekend (from $100). In addition to doing custom work, La Rosa can create zombies (pictured), mermaids, robots, or doll faces (for those looking for something more feminine than scary). Lash applications (from $50) are also available. Appointments are necessary. Available October 29-October 31.

Photo: Courtesy of Sam Brocato Salon

Make Up For Ever

8 E. 12th St., nr. Fifth Ave.; 212-941-9337

Those looking for something completely customized should head over to Makeup For Ever. For Halloween, the Village shop is offering regular, full-face makeup ($60) or character face painting ($80), all with their signature smudge-proof products. The staff on hand is also willing to try to replicate any look you’re going for. Appointments are necessary. Available October 26-October 31.

Photo: Courtesy of Makeup For Ever

Illamasqua at Sephora

Locations vary.

DIYers opting to be dramatic versions of themselves this Halloween can learn a thing or two from British cosmetic label Illamasqua. They'll be sending their top educator to multiple Sephora locations this month to demonstrate ultra-theatrical looks, using products from their new fall collection (like Precision Ink, a Sharpie marker–like liquid eyeliner). Available October 25, 10am-2pm at 144 E. 86th St. and from 4pm-8pm at 119 Fifth Ave.; October 29, noon-7pm at 630 Old Country Rd., Garden City; October 30, noon-7pm at 1500 Broadway, nr. 43rd St.

Photo: Courtesy of Illamasqua

Butterfly Studio

149 Fifth Ave., at 21st St.; 212-253-2100

A fashion industry favorite, Butterfly Studio in Flatiron will be offering eye makeup applications to enhance your Halloween costume (from $100). Options include Cleopatra, a peacock (pictured), or a fifties Hollywood bombshell look (which is especially timely with My Week With Marilyn opening next month). And for those looking for a head start on what will surely be a weekend-long sugar binge, espresso martinis will be offered. Appointments are necessary. Available October 29.

Photo: Courtesy of Butterfly Studio

Revolver Salon

Various locations.

Zombie and vampire makeovers are on the menu at Revolver, Ricky NYC’s funky in-house salon. The complete treatment they’re offering for Halloween (from $45) includes a full face of makeup and fake blood. Those looking for something less in-your-face can opt to have individual zombie bites, bullet holes, or large gashes applied (starting at $25). Appointments are encouraged. Available now through October 31.

Photo: Courtesy of Revolver Salon

504 West 111th Street, #52

What: A gut-renovated two-bedroom, one-bath with a dining room in a pet-friendly, landmarked coop with storage and a bike room.
Campus commute: Two minutes. It's three blocks to Columbia University.
Asking price: $589,000
Monthly
Maintenance:
$1200

Agent:
Jan Rovelli, Citi-Habitats

Photo: Courtesy of the Brokers

305 West 55th Street, #4A

What: A two-bedroom, one-bath fourth-floor walkup duplex with a working, woodburning fireplace, updated bath and a private roof deck. Commute time: Eight minutes to Fordham University and 10 minutes to the Academy for Music and Dramatic Arts
Asking price: $635,000
Monthly
Maintenance:
$947.30
Agents: Vanessa Van Der Linde Brown and Angela Ward, City Connections Realty

Photo: Courtesy of the Brokers

115 East 9th Street, #5H

What: This light, bright corner apartment has two bedrooms and two baths; the fully amenitized doorman co-op has a children's room, garage and private storage.
Campus commute: Five minutes to Cooper Union and 10 minutes to some of New York University's buildings.
Asking price: $1,325,000
Monthly
Maintenance:
$1,434
Agents: Richard Balzano and Barry Brown, Prudential Douglas Elliman

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers
Advertising