Skip to content, or skip to search.

Skip to content, or skip to search.

Black and White on Martha’s Vineyard

ShareThis

The Only Ones deal with glass ceilings at work, unfortunate misunderstandings in their neighborhoods, condescension from blacks who think their education or class makes them inauthentic, and identity crises in their kids. When they get to their Vineyard vacation homes, they want to escape that casual, institutional, and intra-black racism and be around people who help them feel less anomalous. Trey Ellis, who wrote the script for The Inkwell, the notoriously bad film about the black Vineyard experience (Ellis himself called it terrible), says, “The black part of the Vineyard is like, I would imagine, being gay and going to the Castro. It’s this mecca where you can be yourself and be with people who have so much in common with you. No one has to feign some street cred when they’re playing tennis.” It’s a source of communion and of pride. “When you see a beautiful black family with their kids, it makes you feel really good about being black,” says Chrisette Hudlin, wife of Reggie and a lifelong Vineyarder who travels there every summer from L.A. “As a person who’s high-achieving and striving for the best for their family, you’re looking at these other black people who have the same goals, and it makes you feel good as a black person. You don’t feel out of place.” Several Only Ones say there’s nowhere in America that makes them more proud of black people.

This is particularly true among parents, who talk about the importance of introducing their children to other black upper-class families so they can know they’re not as peculiar as they might feel. “Black kids need to be around successful black families, because other blacks from humble beginnings want you to apologize for being successful,” says psychiatrist Carlotta Miles. “On the Vineyard, you don’t need excuses or self-consciousness or defensiveness.” Drew Dixon Williams grew up in Washington, D.C., where her mother, Sharon Pratt, served as mayor, and she spent summers on the island. “It’s sort of embarrassing to say this, coming from Washington,” she says, “but I used to say with a straight face—because I was too young to know better—that I would get my black experience on Martha’s Vineyard. I didn’t have to be defensive about not being black enough or being black in the first place. We were all from The Cosby Show.

“The black part of the Vineyard is like being gay and going to the Castro. You can be yourself. No one has to feign street cred when playing tennis.”

Black Vineyarders say the island is one of the most liberal, open-minded places they’ve ever been. “On the racial stress test, I’d put the Vineyard at Canadian,” Reggie Hudlin says. Still, there are stories. Sheila Johnson, the billionaire ex-wife of Bob Johnson (together they co-founded BET), was once said to have been at a tennis tournament when a white woman asked if she would mind introducing her maid to some black people.

And while the Only Ones embrace each other, they can be dismissive of other blacks. “If you’re too Southern Baptist, too dark-skinned, too street, you might not be insulted by a white person but you may be insulted by a black person,” says Columbia law professor Patricia Williams. “It resembles the way in Britain race and class are inflected. If you’re a Nigerian prince and you speak the queen’s English, you’re okay, but if you’re an island hoodlum, then there are no bounds to the expression of racism.”

This kind of race-inflected class conflict flared up in the early nineties, when thousands of partying black undergrads moved the traditional Fourth of July party from Virginia Beach (from which they had been ousted) to Martha’s Vineyard’s South Beach. There were wild bacchanals full of public drunkenness, girls strolling around wearing very little, and guys ogling them with camcorders glued to their eyes or snakes wrapped around their necks. “Those parties were loud and raucous and not the typical Martha’s Vineyard crowd at all,” remembers one longtime black Vineyarder. “It was a different sort of person coming—the difference between Ebony and Jet, or between Marvin Gaye and Biggie.” To the Only Ones, the influx of hip-hop-blasting, beer-guzzling blacks felt like an invasion. As another person remembers it: “People had more grills in their mouth than their ride, and it blew up the island.”

A series of community meetings were convened. “No one said ‘Where all these loud niggers coming from?’ But that was the vibe from black and white Vineyarders.” In 1997, a solution was implemented that was simple and subtle enough to fix the problem while avoiding charges of racism: The ferry from Woods Hole changed its policy to eliminate standby passengers and to make reservations nontransferable. Party promoters could no longer buy tickets in bulk, and most students wouldn’t think to make a reservation months ahead of time. The parties moved elsewhere, and the Vineyard went back to business as usual.


Advertising
Current Issue
Subscribe to New York
Subscribe

Give a Gift

Advertising