New York Magazine

Skip to content, or skip to search.

Skip to content, or skip to search.

Wild Blue Yonder

The wall holds up the ceiling. The color holds up the wall. How a bold palette choice turned an apartment conversion into an artistic statement.

ShareThis

(Photo: Annie Schlechter)

1. The Wall
The fifteen-foot-square floating wall (which conceals a pair of sliding walnut doors) is both a structural support for the ceiling and a space-defining barrier between the living room and dining area. Plus it satisfies Schlechter’s hunger for a certain iconic blue: “Who doesn’t want their own Yves Klein?” she asks.
2. The Sofa
Most of the furniture was gathered at flea markets; however, the sofa is an heirloom. “It was my grandmother’s and traveled here all the way from Alabama,” says Schlechter. “It used to be white. Yves Klein also had an obsession with hot pink; he thought it was one of the elemental colors one needs to see all the time.”

The idea seemed simple enough: Knock down a wall to combine two apartments, a studio and a one-bedroom, in a graceful prewar building on the Upper East Side. But the would-be occupants, photographer Annie Schlechter and bookbinder Russell Maret, and their architect friend Joe Serrins, had a surprise waiting: The two units were born in separate buildings that had been combined in the forties, leaving mismatching ceiling heights and a huge parapet wall between them. The budget setback turned into an aesthetic score when Schlechter and Serrins realized the opened-up space would require a small supporting wall, which, with a little imagination, could become the apartment’s visual centerpiece. All they needed was six liters of KT color 03.001 ultramarin blau paint, bought at Aronson’s. “The Yves Klein blue is totally Annie,” says Serrins of the color choice. “She had recently seen all the bright Le Corbusier colors at the Villa Savoye outside Paris and wanted to use them.” Schlechter’s peripatetic design tastes also made their way into the glossy Formica-matted kitchen—one friend said it looks like a “Lichtenstein without the bubble text”—and the Surrealist-inspired bedroom.

Next: The "very New York" kitchen.

  • 1
  • 2
  • 3

    • Join the Discussion

    Read All Comments | Add Yours

    Recent Comments On This Article

    See All | Add Yours


    Related:

    Advertising
    The Current Issue
    Current Issue
    Subscribe to New York
    Subscribe

    Give a Gift