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In his first New York gallery show in decades, McCall returns to the abstract cinema he developed in the seventies: film-as-sculpture, experienced by staring away from the screen into a slowly moving projection beam. Stunning from any angle, these works have been compared to Plato’s cave. Exercise caution when leaving the gallery: Watching the light shift and suddenly enclose you in a misty cone might make you think, for a moment, that you have the power to walk through walls.