Home > Arts & Events >
- PROFILE
- EVENTS SCHEDULE
- READER REVIEWS
The Public Theater
|
|
Nearby Subway Stops
6 at Astor Pl.; N, R, W at 8th St.-NYU
Parking
- Nearby Parking Lots
- Street Parking
Payment Methods
American Express, MasterCard, Visa
See Also
Upcoming Events
| 8/25 | Justin Bond |
| Ongoing Various Dates | The Onion Comedy Series |
| 8/25 | Revolutionary Acts |
| 9/01 | Carl Hancock Rux |
| 9/03 | |
| 9/04 | Terrence Howard |
Profile
Joseph Papp bought the old Astor Library in 1967 with the vision of turning it into a headquarters for his fledgling arts organization, but he could not have foreseen the veritable fortress of stagecraft the former public library branch would become. The looming brick façade contains a restaurant and two bars; stage, lighting, and costume shops; and six performance spaces of varying size and style, from the 130-person Joe’s Pub to the Newman Theater, which seats 299. Several black-box spaces are ideal for lo-fi shows, while the regally vaulted Anspacher Stage—the former main reading room of the Astor—lends the whole operation an air of bygone elegance. True to its mission of incubating line-toeing acts (many of which have gone on to win Tonies, Obies, and Pulitzers), each January The Public hosts the Under the Radar festival, a showcase of independent and experimental theater from around the world. But perhaps the biggest allure is the price: the most you’ll pay for a ticket at The Public is $60, and $20 “rush” tickets are available at the box office an hour before each show starts.
-
nightlife
Cecil Taylor at HighLine Ballroom
nightlife
- Cecil Taylor
- HighLine Ballroom
-
The free-jazz innovator, on piano. More »
-
community
Chris Smith: An American Original at MoMA
community
- Chris Smith: An American Original
- MoMA
-
With the cult classics "American Job," "American Movie," and others. More »
-
art
art
- The 2008 Vice Photo Show
-
Art from Vice's annual photo issue is on display. More »







Can J.J. Abrams Succeed With Fringe?

Imagining TomKat’s Fall in New York
Oasis and the Verve Won’t Go Out Quietly
Toni Morrison Revisits Slavery in A Mercy