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(No longer in theaters)
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Shot more than six years ago, heavily edited by many hands, Kenneth Lonergan’s Margaret is finally ready for release. No wonder it took so long. The last hour is a fiasco, full of mismatched shots, subplots from nowhere, and 360-degree pans that make you want to ship the director to film school. But the first hour and change is jaw-dropping in a good way—that distinctive Lonergan way, the characters given their tongues and allowed to go wherever their fancies (and neuroses) take them, story structure be damned. Anna Paquin plays the too-poised Manhattan 17-year-old who inadvertently triggers a fatal bus crash and spends a long time acting out before … acting. It’s an amazingly brave, all-out performance, marred only by atrocious cinematography. J. Smith-Cameron plays her actress mother, Jeannie Berlin the best friend of the victim, Kieran Culkin the laid-back hipster Margaret invites to take her virginity. This is the first bad movie that has ever made me call for a sequel—to get it all right.