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L'Artusi

Critic's Pick Critics' Pick

228 W. 10th St., New York, NY 10014 40.73396 -74.005086
nr. Bleecker St.  See Map | Subway Directions Hopstop Popup
212-255-5757 Send to Phone

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  • Cuisine: Italian
  • Price Range: $$

    Key to Prices and ratings

    Upscale
    • Almost Perfect
    • Exceptional
    • Generally Excellent
    • Very Good
    • Good
    Cheap Eats
    • Best in Category
    • Excellent
    • Delicious
    • Very Good
    • Noteworthy
    • Very Expensive
    • Expensive
    • Moderate
    • Cheap
  • Critics' Rating: *

    Key to Prices and ratings

    Upscale
    • Almost Perfect
    • Exceptional
    • Generally Excellent
    • Very Good
    • Good
    Cheap Eats
    • Best in Category
    • Excellent
    • Delicious
    • Very Good
    • Noteworthy
    • Very Expensive
    • Expensive
    • Moderate
    • Cheap
  • Reader Rating:

    9 out of 10

      |  

    20 Reviews | Write a Review

Photo by Hannah Whitaker

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Hours

Mon-Thu, 5:30pm-11pm; Fri-Sat, 5:30pm-midnight; Sun, 11am-3pm and 5:30pm-11pm

Nearby Subway Stops

1 at Christopher St.-Sheridan Sq.

Prices

$15-$24

Payment Methods

American Express, MasterCard, Visa

Special Features

  • Bar Scene
  • Dine at the Bar
  • Hot Spot
  • Late-Night Dining
  • Notable Chef
  • Notable Wine List

Alcohol

  • Full Bar

Reservations

Recommended

Profile

L’Artusi is the sister restaurant of Dell’anima, a diminutive, bar-centric establishment run by two talented graduates of the Bastianich-Batali empire named Gabe Thompson and Joe Campanale. Both restaurants share Thompson’s inviting small-plates Italian menu and the same neo-Regency décor. But at this restaurant, there are 30 seats at the long, polished white marble bar instead of six. There is an upstairs dining room (decorated, like the downstairs, with dark walls and white trim), which, on the evenings I dropped in, was being rented out for raucous private events. There are many more dining tables at L’Artusi than at the original restaurant (and therefore many more harried waiters), along with a raw bar, a “cheese counter,” and an amped-up sound system, which seems to grow louder and more intrusive as the evening progresses.

The first salvo of grub to hit our table included one or two decent salads (try the grapefruit tossed with fennel and honey) and a predictable blizzard of seafood crudi, like fresh, even melting escolar seviche (drizzled with olive oil and citrus), and little mounds of scallops speckled with lemon zest and sea salt. But most of the crudi (gummy tuna, refrigerated slices of salmon) seemed to have been prepped hours before, which meant the fish stuck to the plate. So did the beef carpaccio, and a bland vitello dish, both of which looked less like slices of beef and veal, respectively, than thin layers of mashed lunch meat, spread from a tube.

Gabe Thompson trained at Del Posto, among other places, and he has a growing reputation among noodle maniacs as one of the city’s young pasta savants. Being an acolyte of Mario Batali, he also has a manic fondness for variety—and for boatloads of cream, butter, oil, and salt, which he applies with a heavy hand. My butter-soaked ricotta gnudi was a respectable iteration of this now overly fashionable dish. I also liked the tagliatelle, which was mixed with egg yolk, in the carbonara style, and lots of speck. But Thompson’s interpretation of spaghetti and meatballs tasted like it had recently emerged from a salt lick, and my helping of strangely limp penne, which was advertised as containing tripe, among other things, didn’t seem to have any tripe at all. If you want a heavy though nicely balanced dish of noodles, I suggest the garganelli, muddled with a creamy rabbit ragù, or the pizzoccheri, freshly rolled buckwheat pasta piled with shreds of Brussels sprouts and layers of melted Fontina cheese.

After these uneven though generally palatable pastas, however, dinner at L’Artusi grinds slowly off a cliff. The hunk of skate I ordered was overwhelmed with fatty chunks of pork, the cold octopus was cut in meager, cat-foodlike shreds, and an inviting-sounding combination of tuna and frizzled artichokes cost $24 and turned out to be yet another indifferent premade crudo, cut in matchbook- size squares. Among the “Carne,” the best things, according to my increasingly surly tablemates, were the grilled quail, scattered with a cool, refreshingly sweet chopped-onion salad, and the grilled sweetbreads, which the kitchen garnishes with little segments of blood orange and a dusting of shishito pepper. The worst dishes, it was unanimously agreed, were the gray, malodorous Wagyu-beef tongue, piled uneasily with bits of cabbage on a kind of rye crostata, and the wild boar and polenta, which was obscured in a viscous sauce and so thoroughly overcooked it could have been ostrich, or rhino, or wild kangaroo.

Of course, even the most grisly hank of kangaroo can be enlivened by a decent glass of wine, and there’s plenty of that at L’Artusi. Campanele’s list of properly biodynamic, mostly Italian varietal wines is wide-ranging and semi-reasonably priced. In fact, the whole L’Artusi experience works better if you pretend you’re at a glorified wine bar instead of a restaurant, albeit a wine bar that’s less intimate than other wine bars, more crowded, and, on frenetic weekend evenings, incredibly loud. The desserts include a chalky, semi-successful Italian version of baba au rhum, a pleasingly dense olive-oil cake, and a nice wedge of crostata tart made with cranberries. The cranberry tart is scattered with pecans and topped with a spoonful of vanilla gelato, and if you’re in the mood for coffee, or an after-dinner sip of grappa liqueur, I guarantee it will taste better at the bar.

Note

Cheese snobs speak highly of the cheese bar.

Ideal Meal

Escolar seviche, grapefruit salad, pizzoccheri with Brussels sprouts or braised-rabbit garganelli, grilled quail, cranberry crostata.

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