A U.S. judge makes a first-of-its-kind bet: Maybe a convicted terrorist should just go to rehab.
Amy Sherman-Palladino tackles the life of a female stand-up comic — in 1950s New York.
The NFL’s struggle to retain fans left or right.
Daniel Ellsberg is still thinking about the papers he didn’t get to leak.
Rebecca Traister and the Times’ Ross Douthat spar on what makes men feel entitled to harass.
You could learn a lot at a restaurant table with tabloid gossip columnist Liz Smith.
Director Guillermo del Toro has always rooted for the monsters. Now he hopes the rest of us are ready to fall in love with one.
The biopic has become the most reliable Oscar staple. Can it still be great art?
To play Tonya Harding’s withering mother, Allison Janney turned a caustic eye on herself.
But between Trump, Harvey, and everything else, good luck guessing which moment to speak to.
How The Disaster Artist recreated four of The Room’s most iconic scenes.
After decades of trying, Kazuhiro Tsuji escaped Hollywood. Then Gary Oldman called.
The Disaster Artist is primarily a pedestal for the ultimate James Franco performance — it’s his Lincoln.
I, Tonya turns Tonya Harding from a punchline into a sympathetic character.
Search Party season two is a twist on antihero drama.
Casting a skeptical eye on the AT&T Building remake.
Twenty-five things to see, hear, watch, and read.
Moroccan style, as influenced by the internet.
Readers sound off on rapper Cardi B, the post-Weinstein era, and more.
Our deliberately oversimplified guide to who falls where on our taste hierarchies. Mouse over or tap the image for related links.
Including giant googly eyes, the most handsome lighter, and the sparkliest backpack.
Including a fancy humidifier, alpaca slippers, and cactus-print Adidas.
Including an inflatable sailboat, a designer juicer, and the Bentley of hair dryers.
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