Are there any underdogs left for us to love anymore? Juno went from being the Little Movie That Could to the Little Movie That We Now Begrudgingly Respect for Not Going Away Already. Almost everyone we know hates it. So much so that others are now hating on the haters. There Will Be Blood is witnessing a late-winter surge, fueled in part by its now-curdling, “Vulture”-enabled catchphrase. But can it overcome No Country for Old Men’s bowl-cut head of steam at the Oscars? Elsewhere, Amy Winehouse triumphs while Whitney proves there’s life after crack. Kate Nash better find herself a dealer, pronto.
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The Kubrick Masterpiece He Never Made
Bob Dylan, the New Bing Crosby
Edelstein on Brothers and
Up in the Air
Fela! Gets Broadway Audiences to Shake It
Review: New Mexican-Food Hot Spots 
Where to Shop for Last-Minute Gifts
An Interview With Todd English 
The Look Book: The Yoga Instructor
How Obama Can Take Back the Presidency
Why the Abortion Wars Will Never End
Reverend Tim Keller and the Sins of Yuppiedom
Why the Yankees Need Matt Holliday 
