Process: Shoot-out at the Guggenheim
![]() |
(Photo: Richard B. Levine/Newscom) |
The Goal
The stunning sequence pits Owen against a mob of gunmen. Tykwer was going for a set piece “at once orchestrated and experimental.”
![]() |
(Photo: Jay Maidment/Courtesy of Sony Pictures Entertainment) |
The Challenge
Tykwer shot exteriors at the Guggenheim but couldn’t close the museum long enough to shoot the action, which was to take six weeks.
![]() |
(Photo: K.C. Bailey/Courtesy of Sony Pictures Entertainment) |
The Set
So the director created a life-size replica of the interior of the iconic building—built in two halves over sixteen weeks—in an empty Berlin railway roundhouse.
![]() |
(Photo: Larry Levine/AP) |
The Action
The fight rages for fourteen minutes. “The spiral exerts a vertigo effect on everyone,” says Tykwer, and amplifies the disorientation of Owen’s character.





Woody Harrelson on His Role in Rampart
A New Showrunner Revives Walking Dead
Recalling the First Days of Performance Art
The Met’s Fiery, Six-Hour “Ring” Finale
A Bedroom Built From 20,000 Legos
Look Book: The Designer
Illuminating the Latest Green Lightbulbs
Deli Classics, Perfected at Kutsher's Tribeca
The End of an Era on Wall Street
The Virgin Father of Fifteen Children
A Hip-Hop Blog Becomes an Alterna-YouTube
Why D’Antoni Was Never Right for the Knicks


Join the Discussion
Read All Comments | Add Yours
Recent Comments On This Article