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No Prince Required


Eisenberg is standing in for the young Allen, of course, and Baldwin for the middle-aged Allen, and lo and behold Allen himself is on hand as a man his own age: a retired semi-successful opera director married to a killjoy played by Judy Davis, in Rome to see his fresh-faced daughter (Alison Pill) and meet her Italian beau (Flavio Parenti). Like much of To Rome With Love, the Allen subplot has a stream-of-consciousness quality, as if outlandish ideas just jumped out of his pen. His character hears the beau’s mortician father (tenor Fabio Armiliato) singing opera—gloriously—in the shower and becomes dead-set on building a production around this hesitant man with his ­discouraging wife. To tell you where this leads would be criminal, but the ­sequence builds to the perfect preposterous punch line and with the added benefit of thrilling music.

I never thought I could bear to watch Roberto Benigni again, but Allen has cast him as a painfully ordinary man, a non-exhibitionist who becomes a celebrity literally at random. Benigni’s rubber face is a hoot when stricken, pure commedia dell’arte, and he uses his loose-limbed body to recoil from the hordes with a clown’s grace. A plot that features a husband, his lost young wife, his pious family that has never met her, a luscious prostitute (Penélope Cruz) in the wrong place, a movie star, and a burglar is full of stock characters, yet Allen’s juggling of them is so assured and his plotting so intricate it’s hard not to marvel at it. I marveled.

I was blissed out during much of To Rome With Love, but I have to acknowledge its creepy side. Allen’s actresses are open-faced and nubile and costumed and shot to make them ripe sexual objects—he wants them, boy he wants them, and he can’t have them. His men get off the hook, but the denouements are defeatist, curdled. It’s not the dark, pessimistic core of Allen’s comedy I ­object to. It’s the casualness of the hopelessness, the complacency of it, the buildup to a shrug. But I’m in awe of the fact that he can hold that view and still have ­surprises in him.

Directed by Mark Andrews, Brenda Chapman, and Steve Purcell.
Disney Pixar. PG.

To Rome With Love
Directed by Woody Allen.
Sony Pictures Classics. R.



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