![]() |
JOHN BALDESSARI
Like many of Baldessari’s recent works of subtraction, Marilyn Monroe: Partially Erased is “about disturbing the hierarchy of vision: You usually look at the face first, and if you’re blocked out, you’re going to look at other things—the way they’re standing, like that. [But] the mole would be there. She never had it removed, so I didn’t either.”

Email
Print

Can J.J. Abrams Succeed With Fringe?

Imagining TomKat’s Fall in New York
Oasis and the Verve Won’t Go Out Quietly
Toni Morrison Revisits Slavery in A Mercy
The Look Book: 
Team Spotted Pig Takes On English Fish Cookery
Six Micro Luxury Buildings
Three Retail Giants Think Indie This Fall
Your Complete Guide to the Best of Fall

Why Is Lieberman Really Supporting McCain?
Why People Leave New York for Buffalo
Bill and Hill Won’t Ruin the Convention