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The Influentials: Fashion


Anna Wintour, Peter Marino, and Kim France.  

Anna Wintour
Editor-in-chief, Vogue
Vogue, c’est moi. No fashion figure has ever played her power as strongly and cannily as the feared, respected, sharply intelligent Wintour. She can make a fledgling’s career in a single phone call (designers from John Galliano to Zac Posen owe her a debt of gratitude), anoint the next society muse (Lauren duPont, Jessica Joffe), and raise millions for her favorite causes ($26 million for the Met’s Costume Institute in the past eleven years, $14 million for various AIDS charities). And let’s not forget her burgeoning empire (Teen Vogue, Men’s Vogue, Vogue Living). Even paint-wielding peta activists and a whiny roman à clef can’t touch her. In fact, she’s been an inadvertent boon to the publishing industry, since The Devil Wears Prada spawned its own subgenre of chick lit.

Peter Marino
The premier set designer for the luxury-shopping experience, ever since he did Barneys’ uptown flagship back in 1992. His style—clean lines, neutral colors, a careful balance of textures to keep the eye interested—has worked for names like Giorgio Armani, Christian Dior, Louis Vuitton, Fendi (for whom he oversaw a $25 million rebuilding of its Rome store), and Chanel, all of which have used him to design their New York flagships. For many, he’s created the worldwide retail template, which is why that pale pickled oak you see in Chanel’s 57th Street store is precisely the same shade of pickled oak in Chanel’s Tokyo tower.

Kim France
Editor-in-chief, Lucky
With Lucky, France has broken the wall between magazine and catalogue—and thus changed how clothes are bought and sold, all the way to the factory floor. And it works; if it’s in Lucky, it moves.

Ralph Lauren
CEO, Polo Ralph Lauren
We’ve been in so deep for so long that it can be hard to get perspective, but Ralph Lauren’s depiction of an immaculately groomed, mouthwateringly merchandised America (with strong British overtones) has altered the way we see our own culture. He made it irresistible in the stores, too, to the tune of $3.3 billion last year in categories as diverse as paint, perfume, and bespoke suits. He’s even managed to sell the vision back to its roots: Starting this summer, Polo is the official wardrober for all of Wimbledon’s on-court personnel.

Marc Jacobs
Head designer, Marc Jacobs International
Quietly, modestly, totally, Marc Jacobs has taken over. You see him everywhere, from the army jackets (even if yours is from H&M, it is, in a sense, by Marc) to the ubiquitous slouchy leather bags to the transformation of that once-sleepy stretch of Bleecker Street. In his other gig, as creative director of Louis Vuitton, he’s single-handedly made that brand the most profitable of parent company LVMH’s fashion stable. You may not immediately swoon for what he shows on the runway (ballooning volumes and bulky layering for fall, for example), but by the time the season changes, you will.

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