![]() |
(Photo: Sonia Moskowitz/Globe Photos) |
Alexa Ray Joel, daughter of Billy, still gets more respect as a celeb spawn than as a musician. She made her way down the press gauntlet at her father’s $3,000-a-ticket Hamptons concert last Saturday. “Totally gorgeous,” mouthed a People reporter to a colleague. “Okay: We love her.” Last fall, when Alexa debuted with shows in indie venues Maxwell’s and Pianos, the blogosphere (which exists to hail the next big thing) was quiet. Instead, her first rave came from Liz Smith. “Her voice is big, beautiful, and perhaps even more impressive than her impressive dad’s,” wrote Smith, who hasn’t spent that much time down on the L.E.S. cool-hunting in a while. She didn’t have to: Alexa’s mom, Christie Brinkley, personally handed her a six-song EP. Almost a year later, this situation is unchanged. Joel is unsigned, yet her CD, with the same six songs, sells in Target stores nationwide; she walks the red carpets and gives interviews, but her Website doesn’t have a “Reviews” section. “What’s next?” we asked when the People people reluctantly let Alexa go. “Oh, some concerts, then some time off, then heading back to the studio.” She gave a radiant smile, triggering a volley of flashes. “You know: the life of an independent musician.”

Email
Print
Eight Year-End Films Vie for Oscar Contention
Sondheim and Lansbury on a Lifetime in Theater
The Black Keys Release Their Hip-hop Debut
How the BQE Became an Artistic Muse
On Great Jones Street, Shopping Is Art 
Classic Fare, Old-world Charm at Le Caprice
Buy a Brownstone for Less Than $1 Million
Fifty of the City's Tastiest Soups
Reasons to Love New York 2009
New York Politicians Refuse to Quit
A-Rod Has Babe Ruth in His Sights
McCain Yields to the Party's Pressure