Michael Cerveris was acclaimed in the recent Broadway revival of Sweeney Todd, but he didn’t make the cut for Tim Burton’s film version. At the film’s premiere, Cerveris admitted that he “would have loved to play a nonspeaking guy who gets his throat cut, just for the karma.” But Burton never called. “I thought it would have seemed a little needy for me to invade the set without being asked,” Cerveris said. His Cymbeline co-star, Martha Plimpton, butted in to say that Burton had called her. “Which is really bizarre because I’ve had nothing to do with it, ever. He called me, he e-mailed me, he texted me at all hours of the night. ‘What should I do? I’m so nervous! More blood, less blood?’ ” Her advice? “You can never have enough blood.”
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The Transformation of TV Into an Art Form
The Draw of Dream Worlds in Film
Gosselin, Prince of the Professional Nobodies
A Decade of Defining Moments in Pop Culture
The Invention of New York's Local Cuisine 
Thirty-Five Short-Lived Looks of the Decade
Two Views of a Swath of the Upper West Side
An Older Generation Moves Into Williamsburg
Ten Years That Changed Everything
A Generation of Overparenting
The Sports Rivalry of the Decade
What Is the Point of the United States Senate? 