![]() |
(Photo: Jake Chessum) |
On weekends in high school I would go around Puerto Rico and paint female characters and organic forms on random walls. I like the textures of buildings as they deteriorate. I did a mural 177 feet long in Old San Juan, and an abandoned pool in the rain forest in Rio Grande that we turned into a skateboard park. It’s not graffiti: I never use a can. Always a brush.
I love the skateboarding scene—it’s a really refreshing, anarchist sport. For the Havana Biennial, I painted a park and gave away 40 skateboards. I’ve painted some rooftop ramps here since I’ve moved to New York, but they don’t last too long before they’re painted over. It takes a lot of time, and a lot of permission, to paint in the streets here.
The recession doesn’t affect young artists as much. Except that all this high-class lifestyle that art students wanted to achieve has come down to a realistic level. You’re going to be an artist, but you’re not going to have an artist loft in Soho. It’s time to get a little more real.

Email
Print
Behind Tim Burton's MoMA Retrospective
How Nicholas Coppola Became Nicholas Cage
Brooklyn's Wild, Prospering Music Scene
Zach Gilford on Leaving Friday Night Lights
Nine Winter Fashion Trends 
Fake Buyers Are Back at Open Houses
Look Book: The Mixed Martial Arts Fighters
Elevated, Reinvented Italian Basics at A Voce

The Times Journalist Too Big To Fail
Can NBC Be Saved?
Bloomberg's New Political Challengers