![]() |
(Photo: Jake Chessum) |
On weekends in high school I would go around Puerto Rico and paint female characters and organic forms on random walls. I like the textures of buildings as they deteriorate. I did a mural 177 feet long in Old San Juan, and an abandoned pool in the rain forest in Rio Grande that we turned into a skateboard park. It’s not graffiti: I never use a can. Always a brush.
I love the skateboarding scene—it’s a really refreshing, anarchist sport. For the Havana Biennial, I painted a park and gave away 40 skateboards. I’ve painted some rooftop ramps here since I’ve moved to New York, but they don’t last too long before they’re painted over. It takes a lot of time, and a lot of permission, to paint in the streets here.
The recession doesn’t affect young artists as much. Except that all this high-class lifestyle that art students wanted to achieve has come down to a realistic level. You’re going to be an artist, but you’re not going to have an artist loft in Soho. It’s time to get a little more real.


Neil Patrick Harris in Sleep No More

Justin Davidson on Driving in New York
Idris Elba's Day Off
Nitsuh Abebe on the Scissor Sisters
Look Book: Clara Zinovoy, Retiree
Hakkasan Is Ruby Foo’s for Rich People
A Modernist Beach House in Long Beach
Surveying Summer’s Cold-Brew Coffees
Obama’s Senior Strategists on Beating Romney 
Parents of Transgender Kids Face a Tough Decision
A New York Times Whodunit
The Secretive World of Supreme Court Clerks


Join the Discussion
Read All Comments | Add Yours
Recent Comments On This Article