It seems simple: If you’re in the business of selling people tickets to see musicians, you should try to make the people and the musicians as happy as possible.

“The Nightingale and the Rose,” Stephen Petronio Company, “Slow Dancing,” “Death in Venice,” and “From Here On Out.”

It looks so simple. Gwen Widell and Jill Gurhan, design and technical vice-presidents respectively at Wacoal, describe the engineering necessary for a bra to do its thing

If you missed these bright lights of the classical scene—a young dynamo and an established leader—in their recent high-profile city appearances, catch them this week.

Yes, the town’s overflowing with tulle. But mercifully, there’s a Nutcracker to satisfy every taste.

A concert dedicated to one composer—especially one who’s not as familiar as Beethoven or Brahms— can paint a much richer picture of his music than a single symphony would.

Choreographers step out of the studio to discuss their work.

New York City Ballet soloists Ellen Bar and Sean Suozzi set out to create a film updating Opus Jazz to 21st-century New York.

But somewhat marginalized.

Recommended fare from Carnegie Hall’s celebration of Europe’s white-hot cultural capital.