Two artists exploit yesterday’s news while a third capitalizes on the discarded notes of others.

A week of single-minded group shows.

Three simultaneous shows mark the U.S. debut of Brussels-based Pierre Bismuth.

Judy Chicago’s The Dinner Party dominates the Brooklyn Museum’s new feminist-art wing (opening March 23)—but there’s far more to see there than that one provocative work.

Eccentric art that comes—in a variety of ways— from ordinary objects.

Three female artists explore identity in video installations—one as impartial observer, two placing themselves in the spotlight.

Two galleries transformed by illumination, a third by alliteration.

When it’s windy and icy, it’s best to look for three strong shows within two blocks.

Eight decades after he took power, and a quarter-century after his death, Robert Moses’s work affects every New Yorker every single day. Three exhibits explain how.

Four photography shows provide fresh looks at vintage material.