John Patrick Shanley and Martin McDonagh go head-to-head again, with a new outcome.

In The Pajama Game, Harry Connick Jr. is a stiff (with great pecs). But he sure can work that piano.

After winning everything in sight last year, John Patrick Shanley’s pedophilia thriller-drama-parable has turned to new actors to keep running, and the transplant hasn’t entirely come off.

A quarter century on, hip-hop has barely cracked the theater. But it could be its salvation.

It probably wasn’t in director Scott Elliott’s power to wrest a really transcendent night from this material, but he does make it a diverting one.

The frequently profane, occasionally graphic play about two old friends and their shared hooker has rich characters, finely tuned writing, and laughs.

Rabbit Hole would have made a fine screenplay—so why bother putting it on Broadway?

In Bridge & Tunnel, Sarah Jones avoids the solo-show death trap by brilliantly conveying more than multitudes.

Mrs. Warren’s Profession makes one wonder: Why aren’t New Yorkers crazy for George Bernard Shaw?

The Dancer's Life turns the story of Chita Rivera's life and career into a kind of meta-musical, with biography giving way to a mix of new and revived songs.