In Fran's Bed and Colder Than Here, families that grieve together cleave together.

A billowing landscape of silk and wind, and dances that defy gravity.

The witty 'Intelligent Design of Jenny Chow' embraces its weirdo technophiles.

The evening's real charm lies in its spontaneity, the sense that the actors might say or do anything, at any time.

A revival of 'Silk Stockings' brings back nostalgic memories of Porter and Kaufman and little else.

Amid the devastation of Hurricane Katrina, his 2003 musical 'Caroline, or Change' seems even more eerily prescient. “There ain’t no under ground in Louisiana,” run its newly harrowing opening lines. “There is only under water.”

Lovers of drama will have to admire the sentiment. Then they will have to wonder what in the name of precious metaphors McNally is trying to do in this tangled play.

It was as rewarding a night as I've spent in the theater this year, all the more remarkable for being his stage debut.

'Lennon' doesn’t work. But that’s no reason to reject the potential of the jukebox-musical genre.

'Oedipus at Palm Springs' finds the Five Lesbian Brothers in an unusually realistic mood.