Le Dernier Caravansérail proves it’s possible to mount a play about refugees that doesn’t feel like homework.

With Central Park as its idyllic backdrop, 'As You Like It' is at once deeply flawed and totally disarming.

What 'Primo' really proves is that there is no way to do justice to Levi's words onstage.

In this lively production, Somerset Maugham’s comedy of marital manners feels surprisingly modern.

Jon Robin Baitz’s The Paris Letter inverts tragedy, punishing its hero for conforming too much.

The lively treatment lacks some emotional punch, failing to convey the full sadness of a Russian family about to lose its home. But Donaghy does capture the play’s comedy and, paradoxically, its existential despair.

A tale of two musicals: The very British Billy Elliot and the great American Guys and Dolls.

Elaine May’s After the Night and the Music is sadly off-key, except for a few poignant moments.