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ARCHIVES

Jeremy McCarter

May 14, 2007 | The Theater Review
Bialystock and Gloom

The Producers is gone; Legally Blonde is here. And maybe it’s time to slow down the Hollywood-to-Broadway conveyor. Plus: LoveMusik’s lovely music.

May 7, 2007 | The Theater Review
We Still Have Nixon to Kick Around

In Frost/Nixon, Frank Langella gives a surprising dignity to Tricky Dick.

April 16, 2007 | The Theater Review
Cheese Ahoy!

The Pirate Queen plays out like a parody of bombastic musicals, but a new Oliver Twist is devilishly dark.

April 12, 2007 | The Theater Review
No Monkeying Around

With Christopher Plummer in the lead, Inherit the Wind evolves. Plus: Misbegotten Kevin Spacey.

April 9, 2007 | The Theater Review
Too Sad for Words

Joan Didion’s one-woman show raises the problem of how to be loudly intimate.

April 2, 2007 | The Theater Review
She’s a Man, Baby!

A contemporary approach to Shakespeare’s original all-male casting. Plus: Curtains just hangs there.

March 26, 2007 | The Theater Review
Everything Is Illuminated

The greatest-actor-of-his-generation label is a lot to stick on a guy, but Talk Radio gives Liev Schreiber a chance to back up the hype.

March 12, 2007 | The Theater Review
Somme Story

You’d think we’ve seen every possible war-is-hell tale—yet Journey’s End still has the power to silence an audience.

March 7, 2007 | The Theater Review
The Taming of King Lear

Kevin Kline is the latest star to fail the test of Shakespeare.

March 5, 2007 | The Theater Review
Arise, Ye Prisoners of Tom Stoppard

Somehow, the eight hours of dialogue in The Coast of Utopia leave one hungry for more talk.

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