- March 25, 2002 | Architecture Review
- Bearish on Mad Ave.
Bear Stearns World Headquarters
- July 17, 2000 | Art Review
- Most of That Jazz
Skidmore, Owings & Merrill finally offers a plan for Columbus Circle that emboldens one of the city's great intersections -- but does it go far enough?
- March 17, 2003 | Architecture Review
- Blithe Spirits
The Whitney offers a mid-career retrospective of Diller + Scofidio, architects whose hallmark is unabashed modernism--with a great sense of humor.
- October 9, 2000 | Art Review
- Ardor in the Court
Richard Meier's expansive, light-suffused design for the U.S. Courthouse in Islip is as passionate about modernism as it is about democracy itself.
- April 19, 2004 | Architecture Review
- Tall Tales
The Skyscraper Museum settles down—in the spot where the city went vertical in the first place; modern times at the Cooper-Hewitt.
- December 1, 2003 | The Culture Business
- Memento Mori
Eight elegant proposals for a memorial at the World Trade Center honor the living as much as the victims of 9/11.
- August 9, 2004 | Architecture Review
- Tower Records
MoMA QNS’s “Tall Buildings” exhibit features thrilling international twists on the skyscraper. Why can’t Manhattan learn to think as big?
- July 29, 2002 | Feature
- A Big Zero
The proposals for the Twin Towers site dishonor the dead -- and the living.
- August 6, 2001 | Architecture Review
- Working the Angles
Philip Johnson
Chrysler Trylons building on East 42nd Street.
- June 2, 2003 | Architecture Review
- Sophomore Jinx
Like its predecessor, the Cooper-Hewitt’s second triennial exhibition is all over the design map; this time, however, the curators fail to come up with a coherent theme.
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