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Peter G. Davis

September 13, 1999 | Feature
Classical Music: Novel Passions

Composers Laurie Anderson, Philip Glass, and John Harbison mine three searing moral fables for operatic inspiration.

January 7, 2002 | Classical Music Review
Shadow Play

Die Frau ohne Schatten

September 28, 1998 | Classical Music Review
In Brief:
"Arnold Schoenberg: Conservative Radical"
October 25, 1999 | Classical Music Review
Carbone Aria

"A View From the Bridge" becomes a finely crafted opera.

September 8, 2002 | Fall Preview
The Next Big Sing

Peter G. Davis on tenors at the Met

October 18, 1999 | Classical Music Review
In Brief: The Vienna Philharmonic Orchestra
August 10, 1998 | Classical Music Review
In Brief: "Lucrezia Borgia"

Caramoor's "Lucrezia Borgia" hits its mark.

July 28, 2003 | Classical Music Review
Russian Roulette

At the Lincoln Center Festival, the singular Kirov Opera brings passion to Prokofiev and Mussorgsky—but misfires with Verdi’s Macbeth.

August 18, 2003 | Classical Music Review
Moz Def

“Mostly Mozart”—the festival that everyone loves to diss—has a promising new director in French conductor Louis Langrée.

February 7, 2005 | Classical Music Review
A Russian Winter

Rejoice, comrades! Four programs display the intensity and sweep of twentieth-century Soviet music.

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