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Peter G. Davis

March 2, 1998 | Classical Music Review
In Brief: "Barbe-bleue"
March 2, 1998 | Classical Music Review
Good Hair Day

The Metropolitan's production of "Samson et Dalila" is full of drama and suspense (not least of all when Plácido Domingo strives for those high notes).

February 23, 1998 | Classical Music Review
Nordic Tracks

At this year's Focus! Festival, the Juilliard School spotlights new music from Scandinavia -- and the results, not surprisingly, are rather cool.

February 9, 1998 | Classical Music Review
A Rorem Success

Ned Rorem's "Evidence of Things Not Seen," a 36-song score, finds a distinctly American musical voice for poets from Yeats to Whitman.

January 26, 1998 | Classical Music Review
Strauss Relief

Is Kiri Te Kanawa's performance in Strauss's lovely "Capriccio" her last at the Met? If so, she’ll be leaving on a high note.

January 26, 1998 | Classical Music Review
In Brief:
Chamber Music Society of Lincoln Center
January 19, 1998 | Classical Music Review
Tip-Toperetta

New York's opera-light life is thriving with Symphony Space's "The Yeomen of the Guard."

January 19, 1998 | Classical Music Review
Help Wanted

James Levine is on "good behavior" in Munich; Valery Gergiev is good news for the Met.

January 5, 1998 | Classical Music Review
Lost in the Woods

Juilliard's "Hänsel und Gretel" can only be described as crumby.

January 5, 1998 | Classical Music Review
Sibelius Redux

Lincoln Center celebrates Jean Sibelius, Finland's greatest composer.

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