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Peter G. Davis

May 11, 1998 | Classical Music Review
Borscht Belters

The Met's new guest conductor, Valery Gergiev, is already the toast of the town, but his visiting Kirov Opera turns out to be a mixed bag.

May 11, 1998 | Classical Music Review
In Brief: "The Two Widows"
November 26, 2001 | Classical Music Review
Two Arms

Kurt Masur at the New York Philharmonic
Boston Symphony Orchestra

May 24, 1999 | Classical Music Review
Pierre Boulez and the Cleveland Orchestra
December 13, 1999 | Classical Music Review
She Loves Me

After sixteen years, the Met brings back "Tristan und Isolde" -- one of the most cherished works in the repertory -- with mixed, if provocative, results.

January 21, 2002 | Classical Music Review
Smooth Sailing

H.M.S. Pinafore
Rachmaninoff Revisited

September 28, 1998 | Classical Music Review
Handel, With Care

Among the City Opera's new productions, Handel's little-known "Partenope" is the music-theater drama to which a superb ensemble most impressively responds.

January 31, 2000 | Classical Music Review
The Life Stories of Jon Vickers and Eileen Farrell
August 10, 1998 | Classical Music Review
Portrait of an Artist

Lincoln Center's tribute to Bernstein is wide-ranging but far less exuberant than the man it set out to honor.

April 28, 2003 | Classical Music Review
Mixed Emotions

A flop when it debuted in 1723, Handel’s Flavio—with its deft blend of comedy and tragedy—is an opera whose time has come; a dazzling take on Berlioz’s last major work.

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