- September 11, 2000 | Feature
- Fall Preview: Art / What's His Line?
He may have achieved éminence grise status, but pioneering Conceptual artist Sol LeWitt is still a true radical, as a Whitney retrospective reveals.
- October 2, 2000 | Art Review
- Seeing Is Believing
Despite the silly title, the Guggenheim makes the case for six masters of the Russian avant-garde -- all of whom happen to have been women.
- November 20, 2000 | Art Review
- Objets d'Art
Gagosian Gallery; through December 16.
- November 13, 2000 | Art Review
- Split Personality
New Museum of Contemporary Art; through January 21.
Stefan Stux Gallery; through November 25.
Luise Ross Gallery; through December 22.
- July 31, 2000 | Art Review
- Free Speeches
An overdue retrospective reveals Barbara Kruger as a visionary who uses Madison Avenue techniques to subvert Madison Avenue values.
- December 4, 2000 | Art Review
- Tone Poems
The Still Lifes of Evaristo Baschenis
Metropolitan Museum of Art; through March 4.
Goodman Gallery; through December 30.
- January 1, 2001 | Art Review
- High Concept
Sol LeWitt: Retrospective
- October 9, 2000 | Art Review
- Face the Nation
An exhibit at NYU's Grey Gallery shows how Japanese makeup giant Shiseido spent a century making Asian women fashionably beautiful.
- October 16, 2000 | Art Review
- Comes The Revolution
The third of MoMA's brawny surveys of its collection covers the period from 1960 to 2000 -- a time in art, as in the larger world, of violent change.
- October 30, 2000 | Art Review
- Natural Woman
Brooklyn Museum of Art; through January 7.
Whitney Museum of American Art; through February 4.