For its millennial show on the human figure, MoMA rearranges some familiar works in its permanent collection -- with eye-opening results.

After more than a century, Ingres still feels mysterious and modern.

Great works and surprising moments aside, part two of the Whitney's giant survey of twentieth-century American art feels like a freshman civ course.

The Met's huge "Egyptian Art" show manages to dazzle without mummies; whispers of loss in the photographs of Adam Fuss.

Staying true to its mission, MoMA pays final tribute to twentieth-century modernism while clearing its palette for the twenty-first.

This summer's bag of goodies includes the Brooklyn Museum's refreshing "Impressionists in Winter" and Surrealists at the uptown Guggenheim.

A provocative Museum of Modern Art show examines how, for better or worse, photography changed the face of fame.

In their Chelsea gallery shows, Tracey Moffatt and Cindy Sherman bring new life to an old subject, as each creates a theater of the perverse.

The overripe imagination of Gustave Moreau, who turned his back on the prevailing tastes of nineteenth-century Paris -- and on reality itself.