- May 30, 2005 | Art Review
- Collision Course With Reality
Not quite a photorealist, not quite a photographer, Malcolm Morley gives an ironic kick to painting’s oldest function: documenting the familiar.
- May 23, 2005 | Art Review
- Jaded Beauty
Jack Goldstein and Gregory Crewdson continue dancing on the line between earnest and distanced.
- May 2, 2005 | Art Review
- The Interpretation of Dreams
Gritty and grounded, Max Ernst managed to dig out the more substantive side of Surrealism.
- April 18, 2005 | Art Review
- Toxic Cuteness
At the Japan Society’s “Little Boy,” Hiroshima leads directly to Hello Kitty.
- April 4, 2005 | Art Review
- Has Damien Hirst Jumped the Shark?
The provocateur’s new paintings still can’t get much beyond his need to shock.
- March 28, 2005 | Art Review
- American Graffiti
“Basquiat” is a bit too reverent, but it catches the messy energy of the artist in his moment.
- March 14, 2005 | Art Review
- Naked Eye
Diane Arbus's raw brilliance is exposed beautifully at the Met.
- February 28, 2005 | Art Review
- Curtain Up
The Gates may be a minor Christo work, pooh-poohed by the art Establishment. But as event, as spectacle, as public gesture—whoah!
- February 21, 2005 | Art Review
- In Black and White
“Ellen Gallagher: DeLuxe” confronts issues of race not with hectoring but with clever, even antic, satire.
- February 14, 2005 | Art Review
- Lush Life
Drawings by Rubens and Twombly form a perfect duo—with more in common than you might expect.