"The Lonesome West," Martin McDonagh's latest addition to the Leenane saga, carries sibling rivalry to giddy heights and stultifying depths.

Bar plays are inevitably all talk and little action, but Conor McPherson's "The Weir" lacks stories engaging enough to transcend the meager Irish-pub setting.

Director Jonathan Miller and his star, Christopher Plummer, conspire to cut Shakespeare’s towering tragic hero down to size.

Susan Stroman's lively revival of "The Music Man" may not displace the memory of Robert Preston, but it should finally make a star of Rebecca Luker.

Returning to the scene of her mother's triumphant comeback, Liza Minnelli recalls both her parents in a performance of almost unbearable neediness.

Boys and Girls
This Thing of Darkness

Ten Unknowns, Dogeaters

Theâtre de Complicité's attempt to adapt Bruno Schulz's poetic "Street of Crocodiles" is a flat-footed exercise in futility.